Author: The Apartment Woodworker

The Apartment Woodworker is a weekly blog with insights, projects and tips for making the most of woodworking with hand tools in confined spaces.

Other People’s Handiwork

It’s a unique challenge altering someone else’s woodworking project. I have my own design style and fully prescribe to George Vondriska’s philosophy that “it doesn’t need to be perfect, it just needs to be consistent”, so when I need to alter a piece of furniture I did not create, it’s often a struggle to find a reference face.

My brother asked me to help him trim down the height of some chairs he purchased on the internet for his kitchen counter, so I spent a couple hours Saturday with my freshly-sharpened Veritas carcass saw taking 4″ off sixteen chair legs. Thankfully, the front legs were almost square and pretty much perpendicular to the floor, so I had a decent reference face.

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That’s gross pine and spray finish for you.

What I normally would do is measure down from the seat, but even that measurement was rather inconsistent (like the floor they’d be sitting on), so I just measured from the bottom. I used a knifewall, but with the nail-in sliders, there wasn’t a ton of need for precision (nonetheless, no excuses for bad habits!)

I realized pretty quickly that I should have brought my 24″ blade for my combination square, but everything turned out alright in the end. And it was good saw practice, if on pine. There was a bit of wobble on the finished product, but between the unevenness of the floor and the flex in the chairs themselves, it was fine.

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Illustrating the height difference.

I of course would have made the chairs myself I’d he had asked me, but he wanted them sometime this year. It was just nice to saw something after three weeks straight of 18 hour days.

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The Missing Part of My Workbench (or: Planing Slab, Part 1)

It seems these days the only part of a workbench that anyone cares about is the benchtop.  Everyone is blue in the face with strong opinions on length, depth, thickness, material, vise configuration, dog hole locations, what have you.  The average workbench is lucky to get much more than four legs, four stretchers and maybe a shelf.  But I am telling you, there is much more to a workbench than a flat, heavy slab (or lamination).

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Until they make levitating workbenches, I guess.

If you’ve been following the blog, you know that in lieu of a traditional woodworking workbench I built a solid ash table to which I clamp various work surfaces: a Milkman’s workbench for joinery or a miterbox for repeatable cuts, to name a couple.  The tabletop is only about 5/4 thick and I’m certainly not drilling dog holes or chopping mortises on it (I really do hope to use it as a dining table someday), but as a clamping surface, it truly excels.   In theory at least, as long as it can clamp to a table, my workbench can have any work surface I want (or am able to create).  The system has served me well these last few months, but it has its obvious shortcomings.

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It’s worked well enough, so far, as long as the boards that fit between the dogs or the screws.

Don’t get me wrong.  I would love to have a real woodworking workbench and I’m very close to convincing myself a furniture-quality roubo (maybe something 72″ long x 20″ deep x 32″ high, with a double screw front vise and a slatted shelf underneath) would be a perfectly acceptable apartment furnishing.  Given my time and space constraints, though (for all my prop replica sonics, I’m still not The Doctor), I did the next best thing to making a real woodworking workbench.  I built the part of the workbench I was missing: the benchtop.

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Behold, approximately 35% of a proper woodworking benchtop!

What you see above is 72″ x 13″ x 2.75″ of pure home center Douglas Fir, with 3/4″ dog holes and a Veritas inset vise, and sealed in two coats of Danish Oil.  Nine boards, each one hand-ripped from six-foot lengths of the clearest, straightest, driest 2×10’s I could find in the pile, hand planed to decent gluing surfaces and skip-planed through a thickness planer after basic flattening (followed by final flattening and smoothing by hand). Weighing in at around 75 lbs, the planing slab clamps to the table with angle irons and f-clamps and stands against the wall when not in use.

Over the next week or so, I plan to take you through the planning and construction of what I have dubbed my “planing slab”a, more or less because the genesis was a need for extra work surface for planing longer boards.  It was a beautiful chore to construct and I am thrilled with the result.  I can’t wait to tell you all about it.

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A Strong Finish

Remember those dovetailed white ash footstools I made for my niece and nephew a while back?  My brother recently painted and stenciled them and sent me a picture of the (literally) finished products.

Neither of those colors exists in nature.

Neither of those colors exists in nature.

I have to say the footstools came out quite beautifully.  Although paint is not really my thing (I prefer Danish Oil), the finish certainly fits the application and I am happy to see some of the grain and joinery still shows through. I find the colors a bit gender cliche, but it occurs to me the cliche likely evolved because color coding is the most expedient way to settle arguments among children. With the combination of substantial joinery and heavy duty finish, I am certain the footstools will endure.

I still owe my sister-in-law one more footstool (for the kitchen), but I am almost out of spare white ash. I think I have some extra quartersawn red oak offcuts I can scrounge, though, and red oak is close enough in hardness and texture to white ash to work in a mixed stock piece. Going to keep the parsons design of the two footstools pictured above, but I will change up the detail a bit.

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Some Winter Cleaning

I set up my apartment woodworking shop just over three months ago, and I’m proud to report I just filled my first drum liner full of shavings!

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I can think of no better representation of what I do.

Admittedly, most of those shavings are planing slab Douglas Fir (with some light arbor and footstool Ash mixed in), but still. With the planing slab nearing completion, I’m just about all full up on shop furniture – at least until I decide to make room for a moxon vise.

Drum liner number two is where it starts to get interesting. But I have absolutely no idea what to make next.

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The Strong, Silent Type

I recently received an email from a follower (who runs an excellent, albeit way over my head, chronicle of his custom Triumph TR6 called Bowtie6) that made me realize I had completely neglected the second most important piece of furniture in my apartment woodworking shop.  I spent so much time rifling through my tool chests, but I gave nary a mention to the rolling tool cart I built specifically to support those tool chests.

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The white part keeps the red parts off the floor.

Constructed entirely of hard maple, the rolling tool cart is custom dimensioned to fit the top chest and intermediate chest.  It’s rock solid, relatively compact and was never intended to be flashy.  There is no finish on the piece (I could never settle on a color and it’s waterproof anyway).  And, just by luck, the whole assembly fits very nicely into a corner in my apartment near the workbench.

I’d like to think much thought went into the design.  For example:

  • the top chest sits (unbolted) on the top, with the handles comfortably at 36″ high (the exact height of my elbows) for ease of lifting
  • there is enough tabletop around the top chest for storing glues and putties (and other odds and ends that have no place on a bench top during a project)
  • the gap between the intermediate chest (also unbolted) and the top rails is almost 10 inches high, giving me ample room to store my machinists granite slab and my panel saws
  • the bottom shelf is slatted and floats free in rabbets in the lower rails for maximum flexibility as the piece settles under the weight of the tool chests
No one will ever know

I think aesthetics are sometimes lost on shop furniture projects.

As always, after a few months of use, there are some things I would change, in retrospect:

  • the casters are not nearly large enough to make the cart mobile, which is fine while the cart sits stationary in my apartment
  • I should have added dowels at the tops of the posts to secure the tabletop, which is currently glued directly to the frame and further secured with glued-in wood blocks (like corner brackets)
  • I measured the intermediate chest wrong and had to cut shallow dadoes in the posts to accommodate the lip of the intermediate chest (which extends out slightly to permit stacking of intermediate and top chests)
  • I haven’t yet been able to bring myself to drive nails into the side for hanging my winding sticks and dovetail markers
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You can clearly see the dadoes and the tiny casters in this shot.

I built the rolling tool cart to be furniture quality (like everything I do) and I know I succeeded because my mother has already called dibs on the piece to use as a kitchen island.  If and when she finally confiscates it, I will swap in a set of larger, decorative casters and fit a middle shelf into the dadoes (there is a bright side, I guess).

In the end, like any good piece of shop furniture, the rolling tool cart does its job and fades silently into the background.

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An Appropriate Soundtrack

One awesome byproduct of handtool woodworking is the ability to enjoy music while at the bench. I just Bluetooth my smartphone to a Bose Soundlink Mini and get to work.

The boombox of a new generation.

The boombox of a new generation.

I have noticed my musical tastes shifting as of late (electro-synth-pop really speaks to these old punk rock bones), but regardless of genre, I find a good soundtrack does wonders for pacing and rhythm of handtool tasks – not to mention providing cover noise for fooling the neighbors and leasing office.

My favorite albums for general woodworking right now are Brand New – Deja Entendu, Fall Out Boy – Save Rock and Roll, and Of Monsters and Men – My Head is an Animal.

If I’m traversing grain or chopping mortises, I might opt for some A Day to Remember, The Offspring or Alkaline Trio for the extra oomph and, if all else fails, I have a DMX/Beanie Sigel greatest hits mix at the ready.

Although I have an extensive collection of stand-up comedy albums, I shy away from them while woodworking, as a stray laugh can and will cause an otherwise straight cut to wander.

If anyone has recommendations for other good workbench music, I’m willing to grooveshark anything.

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Sometimes, Careful Planning is Not Enough

Just about three months ago, I wrote an entry on the “dining” table I built to be the foundation of my apartment woodworking shop (post linked: here).  During its construction, I had envisaged the table (which, by the way, was reverse-engineered from a Restoration Hardware design) as a furniture-quality, rock-solid clamping surface with some much-needed storage space on the shelf below.

And it has not disappointed.

And, thus far, it has not disappointed.

I believe I executed pretty well on that concept.  There is no hint of wobble or bench-based chatter when I am hand planing, and I have (just barely) enough storage below for the powered odds and ends I thought I would use when I switched back to apartment-based woodworking (more on that another time).

During the design phase, I did my best to determine the perfect dimensions for what I’d need to do meaningful woodworking, but there was no way to solve for (or even predict) everything. I’m not saying I would necessarily change any of these dimensions, but, for example:

  • The height (at 31″) is just right for planing, with the top of the Milkman’s Workbench sitting at a very comfortable 33″ (I’m a little over 5’10” and all my planes are iron-soled, FYI), but I still need to craft a moxon-style vise to raise the workholding to a comfortable level for joinery.
  • The top is wide enough (at 50″) to accommodate both the Milkman’s Workbench and a shooting board/miter box at the same time, but not nearly wide enough for planing longer, thinner boards (hence the need for a 72″ planing slab (seen above on the right, planed to final dimensions but still lacking dog holes and inset vise)).
  • The top is deep enough (at 34″) to splay out the tools needed for any particular project, but is sadly too deep for the reach of the boom on my LED task light (solved by locating the clamp-on base to the side, which now gets in the way of some cross-grain planing).
  • The overhang of the top in relation to the frame is wide enough (at 4″) for ease of clamping a variety of benchtop accessories on all four sides (e.g., Milkman’s Workbench, miter box, saw vise, task lamp base, soon-to-be planing slab), but anything less than a co-planar top eliminates the usefulness of the legs themselves as a clamping surface.

The point is, no matter how well you plan, no matter how much thought goes into the design or care goes into the execution, it is only a matter of time before the shortcomings and mistakes become apparent.  In making the best of a less-than-ideal situation, any solution to an existing problem could also be the genesis of a new, unforeseen issue.

And that, more than anything, is the essence of small-space woodworking.

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A New Year, Indeed

2104 has been a great year for The Apartment Woodworker, and we’re only getting started.  Thanks much to all of my readers.

Things look to be busy Q1 of 2015, but I can promise there are several great projects and stories coming very soon.  The soonest may very well be the completed planing slab.

Only 2 more laminations to go!

Only 2 more laminations to go!

So stay tuned!  Happy New Year to all!

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Holiday Cheer at The Apartment Woodworker

As the year wraps up, I find myself (as always) being very grateful for my loving and (mostly) supportive family and friends (especially Matty).  They indulge me in my eccentricities and manic woodworking fervor and I am very lucky to have such excellent and admirable people in my life.

Now, I would like to brag about the awesome woodworking gifts I received this Christmas.

From my parents, a 24″ imperial ruler blade for my Starrett combination square.  When not in use with the combination square, I expect it will live on the workbench as my go-to straightedge.  Its first combination square task, though, will probably be in connection with squaring the ends of the planing slab (as soon as I finish a couple more laminations).

A gorgeous piece of steel.

A gorgeous piece of steel.

Speaking of the planing slab, my brother and sister-in-law gave me not only a Veritas inset vise (for which I had asked), but also surprised me with the pivoting jaw and the low profile jaw as well (both of which were actually sitting in my Lee Valley online shopping cart ready for purchase).  Now i just need a Veritas planing stop and to settle on inset vise positioning.

I have a feeling this will quickly become my favorite vise.

I have a feeling this will quickly become my favorite vise.

All in all, a pretty awesome Christmas.  Thanks very much, family.

Happy Holidays to all!  I should probably get back to making the second footstool for my niece and nephew.

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