I am by no means an innovator. Folks have had small shops in the past and they will have them in the future. I invent nothing, as the saying goes. But because I am a hobbyist woodworker who strives for a manageable tool kit within a finite shop space, I don’t always have the exact tool I need at hand.
Take, for instance, the timber framed saw horses I’m making as a gift for a new homeowner (and close friend who will inevitably ask me for help on home improvement projects). I’m using the Richard Maguire design (he calls them saw donkeys, lol). Which means beefy tenons with drawbore pegs to keep everything cinched under the extra strain of having no lower stretcher.
The most important part of a drawbore is ensuring the peg can pass cleanly through the joint, flexing but not plowing or crushing as it’s pounded through the offset holes. That’s why it’s important to observe the three finer points of successful drawboring: (i) don’t use too extreme of an offset on the tenon hole, (ii) use a longer taper on the front of the peg, and (iii) ease the entrance to the hole on the tenon. The fourth point (in my experience) is to wax your pegs, but some folks like to glue their drawbored pegs in. I don’t.
When doing smaller drawbores for furniture, I have a couple of machinist alignment pins that work great as drawbore pins where 5/16″ and 3/8″ pegs are used. You assemble the joint, insert the drawbore pin, and the taper of the drawbore pin draws the joint to full closer and also reams (really compresses, but still) the entrance of the hole on the tenon (thus fulfilling finer point (iii) above and illustrating the purpose of finer point (ii) above).
For these sawhorses, though, the pegs are 5/8″, and I’m not even sure they make a machinist alignment pin for that size. So, instead, I use a countersink bit to ease the start of the holes in the tenon. This is functionally the same as properly using a drawbore pin.
I almost always use a hollow chisel mortiser for these big mortises, but the tenons are cut by hand.
In fairness, I do use 5/8″ pegs for a lot of workbench and workbench-adjacent building. So maybe I would be justified owning an appropriately sized drawbore pin. But drawbore pins are single purpose tools. My countersink bit, however, has many uses across the full gamut of my woodworking. And I’m not sure a drawbore pin of the right size would have much effect on the oak, ash and maple that I use in my workbench building activities. So I will continue to use my countersink bit. And I could probably take the drawbore pins out of my toolkit entirely.
I learned all of the above finer points of drawboring through trial and [lots of] error. I’ve had pegs fail to flex through the offset hole, split down the middle and blow out the back of the board with the mortise (and in doing so fail to cinch the joint together). I’ve had pegs fail to flex through the offset hole and snap (making the usual solution, to drive a new peg all the way through the joint, unavailable because the peg didn’t clear the offset hole cleanly). And I’ve had pegs that made it through the offset hole and still do both of the same.
But if there was one of the rules that each situation could have been fixed by, it’s probably finer point (iii): easing the entrance to the holes in the tenon. And when all it takes is a countersink bit, that’s a pretty efficient solution.
When I start something, I nearly always finish it. So when I set out to make a wall mounted cabinet for my workshop, it was clear the old tool storage solution (the aforementioned Dutch Tool Chest) had to go.
So it’s for sale, $750 cash, and you have to pick it up (I’m in lower Fairfield County, Connecticut).
The case is made with usual DTC construction: through dovetails at the lower corners, shelves are dado’d and nailed into the sides of the case. The face boards are screwed on. Lamp Black milk paint on all external faces.
This DTC is a bit larger than standard varieties. In addition to being the large version at 30″ tall (with two shelved compartments AND a sliding tray), it’s 30″ wide (up from the usual 27″). This means it’s wide enough to hold a No. 7 and a full size block plane left to right (it also holds a No. 5, No. 4 and a general compartment for tape measures.
In addition, the storage area is 13″ deep (instead of the usual 11.25″). I made it this way to accommodate a No. 10 (jack rabbet) plane and some larger tool rolls, all of which can be fitted front to back instead of being piled in lengthwise. The drawer runners are just nailed on so the drawer can be easily removed if not desired.
The lid has a till for two panel saws and the tool well, in addition to being french fit for the planes described above, has a saw till that will fit dovetail, carcass and tenon saws plus two combination squares (or one with an extra beam). All of this stuff is just tack nailed in, so you can remove it easily.
The tool rack on the back wall has holes on 1.5″ centers and is screwed in from both directions. Totally modular.
Some more pictures for your reference (tools not included, obviously).
As with everything else, please email for more details. I’ll even throw in a couple of saw bucks to elevate it off the floor.
The last few months, I have been [very] slowly making a wall-hung tool cabinet. While my dutch tool chest holds all of the tools I could ever need (and quite a few I don’t), I have recently added a No. 6 to my everyday kit and there was no room in the DTC for the new plane. I have also gone back to using a No. 4 1/2 smoothing plane (instead of a No. 4) and, similarly, the DTC didn’t have room for it. Even with the No. 4 back in storage.
It also started to feel cramped in the workshop. The DTC lived on the left wall of the shop, near the leg vise. The chest (and the platform it sat on) took up significant floor space that I couldn’t get back. The area below the cabinet is now free for a saw bench that is otherwise blocking my sharpening station at times.
I have never built a wall-mounted tool cabinet before. So this is just a prototype of white pine, poplar and cheap birch plywood; the usual materials for figuring thing out. And I have in fact figured a few things out in this project so that. If I ever make a better one out of my nice, reclaimed genuine mahogany, it will be better.
What I struggled with the most was the saw till. The backing board for the plane till is pretty steep (to accommodate the 9″ case sides) and therefore a regular saw till didn’t do the trick. The saws just fell out of them. And, unlike with the planes, there is no quick fix with rare earth magets.
I thought for a while and realized that my three back saws are all of the same make and therefore the totes should all be roughly the same shape. I could hook them onto something (like a 1″ dowel) and then use a till block to keep the plates aligned and safe.
I started with dovetailing together a U-shape out of some 1/2″ poplar. The sides each took a 1″ hole to accommodate the dowel, which was screwed (but not glued) into place so I could easily get to the screws attaching the hook to the backer board.
I then located a till block (with a 1/2″ thick tongue on it for ease of attaching to the backer board) so it supported the saw plates without breaking the plane of the carcass. The kerfs in the till block (which is 5/4 material) which hold the saw plates are cut with a fine panel saw. I wish I had left more meat below the ends of the kerfs. But poplar doesn’t split like pine or oak, so it should be okay. I will report back if it ever splits apart.
The overall saw till assembly has usable space around it. I’m no Henry Studley, but I was able to fit some tools into the available crevices. My 3/4″ dowel centers, which I use quite a bit for bench-making to reuse existing benchtops that attach via pegs, sit above the hook. Under the saws are a few machinist squares I don’t use often and also some brass calipers. My pinchrods hang off the side of the saw till between it and the case wall. And a 12-1 tool rests in a free nook.
As you can see, there is an unused area at the top of the case. I’m not 100% sure what to do here. I’ll hang another panel to the right of the main cabinet with racks for chisels, screwdrivers, gouges, raps, and other handled tools. So that just leaves my panel saws, a mallet, a hammer, and the boring tools (braces, auger bits, etc.). I could hang a shelf up there and pile the boring tools in (like with the middle compartment of the DTC). That feels a little like cheating.
In my day to day life, I am attorney. My practice focuses on Mergers and Acquisitions and Complex Corporate Governance (with a fair bit of Commercial Contracting and Emerging Companies and Venture Capital matters). While I love what I do, not everything in my day job is intellectually stimulating. It’s true, there are sometimes novel (to me) issues that need sorting. But the typical deal is, well, pretty typical (at least after about 15 years). So woodworking often fills the void of intellectual expansion for me.
A person I care very much about asked for a lap desk to make her home office (read: couch) more comfortable. While I myself am a work from work person, I appreciate a good thought experiment that I can sort out with my hands. So I made a lap desk with non-right angle corners.
I personally think dovetails are best. But I also like finger joints. Not the cross cut sled on the table saw version, but the hand cut, assembled-like-dovetails variety. Contrary to popular belief, it is much harder to saw square in two directions than it is to saw angles. Or at least it is to me. And, when cut right, finfer joints can look wonderful and only need a couple of nails to be as permanent as well-fitting dovetails.
Making these angled finger joints was an exercise in working things out. Sure, I could have just searched YouTube for a tutorial (James Wright has an excellent how-to on angled dovetails, btw). But I chose to work it out myself. And, dagnammit, it worked pretty well.
In my (admittedly limited) experience, this is one place where it pays to have deeper baselines (and protruding pins/tails to pare down) really pays off. I tend to scribe base lines exactly to part thickness for regular dovetails, but that doesn’t seem ideal for non-square corners.
In any event, after sawing the pins, my process for angled corners is to chop down, on the bench, from the higher side perpendicular to the baseline. This high side is the inside corner all around. Then, I discovered, it’s better to pare in the vise, in small bites, instead of trying to get the angle correct with chisel and mallet on the bench. It takes a bit longer, true. But the fit is far better when you sneak up on it in small bites.
And, so, I had an intellectually stimulating time at the bench making a thing for a person, using a technique I had not done before. It only took an hour or so (after stock prep). And now I know how to do it, for all time.
I just need to chop off 5″ from each foot because apparently a 15″ high lap desk doesn’t really work for non-giants.
I’ve been making low benches (both workbenches and general furniture) for a while now and I’d like to talk about the various ways to join the legs to the top. In my experience, some are better or worse than others, depending on several factors, including: (i) the purpose of the finished piece, (ii) the thickness of the benchtop, (iii) the materials used, and (iv) the tools available.
Let’s discuss several choices to join the legs to the top (I swear this is not a clip show):
First, we have cylindrical through tenons. The tenon can be hand carved, turned on a lathe or made with a round tenon cutter (like for rustic joinery). The mortise is bored with a large auger bit or some other boring bit.
Next, we have conical through tenons. The tenon is hand carved with a drawknife or plane and then typically refined with a special tapered tenon cutter. The mortise is bored with a smaller bit and enlarged with a tapered reamer.
In addition, we have rectilinear through tenons, which can be cut with regular edge tools. The tenon is sawed to shape with an angled shoulder. The mortise is chopped out with a chisel. No boring tools needed.
Finally, legs can be joined with notched lap joints. The tenon is sawed at an angle with a birds mouth shoulder. The mortise is just a dado in the side of the top. Also no boring tools needed.
Let’s take these in order. This is just my opinion based on experience; others may have their own takes.
Relatively easy to cut: You just need an augur/boring bit of appropriate diameter (and a bit of skill to follow an angle) to cut the tenon. For the tenon, either use a lathe or log joinery tenon cutter or employ a few common hand tools (saws, chisels, spokeshave, rasps, sand paper) to round off the tenon and taper the shoulder.
Strong: Full thickness tenons, glued and secured with wedges, form a secure and durable joint.
Hard to correct: If you mess up the angle or wallow out the mortise too much, you’re stuck with it. There is no correcting after the fact.
Limited sizes available: If you want a 2″ round tenon, you need to find a 2″ boring bit to cut the mortise. And a drill or brace that can use the damn thing without releasing the blue smoke (or tearing a UCL).
Certain materials work better: Leg stock needs to be bone dry, otherwise the tenon may shrink and need to be re-wedged in the future. Also, ideally, the wedges are made of something even harder than the legs. Finally, 2x dimensional lumber may not be thick enough for a sturdy leg.
Cosmetics: To me, full size round tenons just look off. If the angles are done right (so the exit holes are proper circles and not wallowed out ovals) and you use a contrasting wood for the wedges, they can be beautiful. But there are too many variables for me.
Relatively easy to cut: Same as above, except you need a tapered reamer to make the tapered mortise and typically want a matching tapered tenon cutter to refine the tenon (both are generally available from the usual woodworking suppliers).
Self-tightening: As you put weight on the legs, the tapered tenon will seat even further into the joint. The leg stock should still be bone dry, but as long as your legs are made of something equal to or harder than the top, the joint can sort itself out over time.
Easy to correct: Unlike the cylindrical tenon, where you are stuck with the hole you bored (including any wonky angles), you can correct the angles using the tapered reamer. Just take it slow and check often.
Less strong: The tapered tenon has less material making contact with the top and the wedge is not full width, so for a low workbench or a sitting bench for more than one person, you may need to add a cross rail to each pair of legs stabilize things.
Requires specialized equipment: As noted above, you need at least one piece of special equipment (a tapered reamer) to make the mortise. Refining the tapered tenon without the tapered tenon cutter is doable but takes some practice.
Rectilinear Through Tenons
Easy to cut: No specialized tools needed. A chisel, a mallet, a bevel gauge (or a block of wood cut to the right angle), and some patience will give you a clean and precise hole (that you can further refine with a file or rasp). I like to bore out most of the waste with an augur bit and pare down to lines, but this is ultimately just a square or rectangular mortise.
Strong: Of all the joints described, this one has the most material forming the tenon.
Cosmetics: Rectangular tenons wedged at 90 degrees or square tenons wedged at 45 degrees are very pleasing to my eye. I think they look the best of all of the through tenons.
Complex layout: Unlike cylindrical or conical tenons, you have to actually lay out both sides of the mortise. This requires carrying compound angles around to the other face. You’ll need to not only S4S the top but also square the ends.
Harder to correct: If you overshoot your lines, the only option is to make the tenon larger (which is easy if you overshoot side to side, but much harder front to back).
Notched Lap Joints
Simple to cut: This joint can be cut with one saw and one chisel. Even the compound angled version is not particular difficult to work out. There is a reason why saw benches are the quintessential intro woodworking course.
Any material works: 2x dimensional softwood lumber from the home center is perfectly acceptable for the legs. Using thinner material for the top (such as 2x dimensional softwood lumber) does not materially weaken the joint, either.
Versatile: When using a narrower than ideal top, this joint can be used on the back legs to extend the footprint to a stable depth.
Weak without reinforcement: As an external joint, glue alone is unlikely to be enough for a lasting joint. Metal fasteners and gussets are required to keep this joint together long term.
Legs protrude beyond the top: Another drawback to the external joint, the legs will likely be in the way for some sawing and other operations. You can fix this by laminating on boards after the legs are attached, making a de facto rectilinear through tenon.
Cosmetics: This is generally not a furniture grade joint. There are certain instances where it can be attractive. But most often, you’ll be using this joint for workshop stuff.
So what do you think? Did I miss anything in the pros and cons lists? Have I ruined everything forever?
I mean, yeah. Of course I have. But maybe not because of this article.
*Editors note: This is James’ first attempt at a long-form woodworking article. He is aware it is a departure from his usual format and tone.
There is an idiom, often attributed to either Benjamin Franklin or the anonymous Shaker craftsman, that goes, “A place for everything, [and] everything in its place”. I doubt Old Richard Scary actually came up with the phrase. I also doubt the Shakers would disagree with the notion. After all, if you can be one thing, you should be efficient. And for those of us who have small shops, this is more than just an aesthetic; it’s a way of life.
There are, as far as I can tell, there are two main approaches to tool storage in woodworking (although I would imagine these concepts apply to all crafts and shops). The first, just keep it open and pile everything in, works fine for things like full size, stationary English floor chests with banks of sliding tills and ample room for everything. The other, divide it up and create slots for individual tools (sometimes called “French Fitting” [double capitalization intended], which is the term I will use for the rest of this article), excels in chests that will travel or where space (read: organization) is at a premium. I prefer a hybrid of those approaches, but skewed heavily toward the latter.
When there is a place for everything, and everything is in its place, the tool you need is more likely to be easily findable and at hand. In addition, the tool is likely to remain set, tuned and sharp, having been protected from jostling against its neighbors. This is especially true for chests that get moved around, loading in and out of the car or dumped on the lawn for some sunshine woodworking. But even for stationary chests that live inside the shop, there is a level of French Fitting that I believe benefits everyone. It goes without saying that this is a handtool-focused approach. I only use a few machines, and each of them directly complements my handtool-first approach. If you are a machines-only woodworker, please feel free to keep reading. But this article might not have as much utility for you.
In my workshop (which is a 12×13 bedroom), I work out of a large Dutch tool chest (a “DTC”) in the Schwarz design from 2013. The chest lives to the left of the leg vise, pretty centered on the left wall of the room. In the main compartment of the chest (the “Well”), each of the primary tools (e.g., bench planes, back saws, hand saws, chisels, and other frequent-use tools) lives in a rack or a divided till and no other tool fits on that slot. A tool comes out, does its job, and goes back to its home. Directly below the Well is a drawer that holds longer, more fragile tools (e.g., rasps, paring chisels), as well as other small tools that wouldn’t fit nicely into the main well. This drawer is not French Fitted. And, honestly, it gets pretty cluttered.
The rest of the chest is two open compartments where tools are just piled in. The middle compartment holds tool rolls with augur bits, plane and joinery floats and gouges, plus the boring tools (braces and eggbeater drill). The bottom compartment holds a quarter set of hollows and rounds and my joinery planes, plus some drill and driver bits and sharpening slips (and a hammer that doesn’t fit anywhere else). A few odds and ends are strategically stashed throughout the chest.
But, like I said, that chest doesn’t ever move. When I woodwork outside or get called to a buddy’s house to fix something, I ask so much more of the tool chest I bring with me into the wild. That chest must not only hold (and organize) everything I need to do the job, but it must also keep everything secure and safe through the bumps and bruises of lugging it around. So let’s talk about French Fitting a DTC-style traveling tool chest.
Chisels and Other Handled Tools
When I begin planning tool storage in any tool chest, it starts first with a rack for chisels and other handled tools that attaches to an inner wall of the chest (the back wall, for a DTC). Christopher Schwarz has covered this topic in depth previously, but in my experience, starting with 1/2″ holes at 1 3/8″ centers does the trick. I like a 1 3/8″ x 1 3/8″ pine board for the rack. Although many tools will fit into the 1/2″ holes, a good portion of the holes must be elongated to fit, among other things, wider chisels. So a drill press is your friend here. Map out your strategy for this and pay attention to the width of the tool above the rack. For example, two marking gauges side by side will probably crowd each other even with 1 3/8″ spacing. So maybe find something with a narrower handle to put in between them to space things out. I like my chisels on the right side of the rack; others prefer the left side. Just don’t put them in the middle, though (for reasons that will be come clear in a bit).
Before I hang the rack to the inside wall of the DTC, I need two measurements. The first is how much below the top of the rack the largest chisel (in this case, 1″) will hang. Add 1″ to that and you get a rough height for the gap from the floor of the well to the underside of the rack. That extra inch should ensure both that your largest chisel will never hit the floor of the Well and also there is clearance for other, longer tools (e.g., a sliding bevel or brad awl). The second measurement is how much space that leaves to the top of the chest. If there is not enough clearance for the tallest tool in the rack, lower the rack until it the largest chisel doesn’t dig into the floor of the well but there is still clearance for the chest lid to close. Now affix this rack to the back wall of the chest with countersunk screws. I like to drive two from outside of the chest about 1″ from the ends of the rack, and one from the inside of the chest centered between the narrow chisel and the next tool to its left. This rack carries a lot of weight so attaching from both sides helps distribute the pressure.
Saws and Combination Square
After the tool rack is attached, it’s time to make the saw till. When traveling, I carry three saws: a 12 TPI rip cut back saw (the Veritas ones are pretty nice and very durable), an 11 TPI rip cut panel saw (it also crosscuts) and a 6 TPI rip cut panel saw. The saw till I prefer is U-shaped and joined at the corners with either dovetails, finger joints or rabbets and nails. Pine is just fine here (and for eveything else), although any wood will work.
The saw till has slots cut with the saws that it will hold (3/4″ on center spacing works great for most saws) and its height is just whatever will friction fit below the tool rack (it adds even more support to prevent the tool rack from sagging). Remember to leave at least 2″ beneath the lowest slot and (at least for the backsaws) don’t make the slots so deep that the saw teeth don’t bite into the till itself. If there is room, I also add a 1/8″ slot for a combination square.
For this saw till, you can can just make ends and screw them in place from the outside of the chest and from the underneath. But I find a bridge in the middle makes the saw till easier to affix (and remove, if needed). Regardless, space the ends based on the saw plate of your shortest saw; an overall width of 2 inches less than the length of the saw plate should work for most saws. When you screw it in place, it should be roughly centered and tuck under the back till just 1/8″ or so. If done right, this saw till has the added benefit of also supporting the middle of the tool rack, which can sag over time.
General Small Tools
The tool rack and the saw till have now created 3 zones of tool storage. The front of the well is for planes and other large items (more on that in a moment). And on each side of the saw till (remember, you left at least 2″ beneath the saws) there is now a great place for general storage. I fill these zones with H-shaped semi boxes that are flush to the front of the saw till. The top of the H is a dead zone that protects the edges of the chisels and other edge tools as they hang down below the tool rack. We’ll call these the “general tills”.
These general tills are just friction fit into the spaces on each side of the saw till and will get closed off later. These general tills are a great place for things like nail punches, drill driver bits and other small items that don’t have edges to protect and can be piled in. You can also use the now-closed-in area below the rack and between the ends of the saw till for specialty storage. I keep my small router plane and dovetail guide there (both are tools I rarely use while outside or on site) that won’t damage anything if they rattle around a little bit.
We’ve now come to the most important part of the operation: the plane till. This is entirely based on the bench planes (and other items) you’ll have in the chest. In the case of my traveling tool set, I use a No. 5 1/2 and a No. 3, which (conveniently) fit in a single row of plane storage, so the second row in the plane till can be for other things. In a full size tool chest, you’ll probably need both rows for planes (I use a No. 7, No. 5 and No. 4 in my main DTC, for example). In fact, the length of these two planes, plus dividers, dictates the overall length of the tool chest itself.
Rabbets and nails are the order of the day when making the saw till. I used to dovetail these, but it’s too easy to undercut a baseline and get a bad fit lengthwise. If I used a table saw, I’d probably make these out of 1/4″ stock all around and just brad nail everything together after cutting VERY shallow rabbets. But with hand tools, 1/2″ stock feels better all around (except for the thin middle dividers).
When locating the divide between compartments that will hold planes, I find an extra 1/8″ of length all around works well for getting Bailey-pattern planes in and out of the plane till. For instance, a No. 5 1/2 is 15″ long and 2 3/4″ wide, so the compartment ends up being 15 1/8″ long and 2 7/8″ (or a hair under) wide. Don’t make them too tight, though; the difference between “secure” and “difficult to remove” is basically 1/16″ in each direction. Just FYI, the knob on smaller planes (like the No.3) extends past the toe. I learned that the hard way.
Aside from ensuring your planes sit snugly, the only other critical measurement here is ensuring the ends of the plane till take up whatever space is left between the front wall and the general tills, thereby locking everything in place. If you do have to build up part of the till to fit a smaller plane, glue that spacer to the plane till. That makes a pretty meaty strip for boring some more 1/2″ holes for extra general tool storage (when I get around to it, my nail punches and marking knife will live there). Just make sure the spacer is the same height as the rest of the plane till.
The last part of the plane till is (to use a Rex Krueger term) the “key”. It fits into the space between the general tills and the plane till and closes off the second row of the plane till. But don’t glue it to either the plane till or the general tills. As long as the fit is reasonably tight, it will lock everything in place but still allow you to pull the tills out if needed. I like like to add a couple of spacers to the back of the key, which complete the general till box and keep the general tills from pinching in on each other.
All things being equal, the Well should now be perfectly organized for the tools to be kept in there. There is space on the walls for pouches and magnets and whatnot to hold additional tools; just be sure not to obstruct anything coming in or out. You’ll probably need to remove a saw or two to reach the less commonly-used tools (like that block plane on the left side), but that’s just how traveling tool chests work. Success means striking a balance of security and accessibility.
With a little bit of thought, though, it’s possible to easily store everything you need for meaningful woodworking while also keeping your tools safe from the bumps and bruises of moving the chest around. All the same principles apply to shop storage, if you are so inclined (and I would posit that the edge tool rack and saw till are important for ANY type of tool chest, even with banks of sliding tills for everything).
This is all just a suggestion, of course. Use whatever organization method fits your style of work and tool set. I just want your tools to be safe, secure and ready when you need them.
And that’s it for now. Next week, we’ll examine in more detail the “just keep it open and pile it in” method. Natch.
Earlier this year, I made a little traveling tool chest to go with my traveling workbench. It works great, and it holds all of the hand tools I need for working away from the shop. But it’s not perfect. I didn’t really think through the bits and bobs I’d need to actually do woodworking. Things like a roll of blue tape, a powered drill driver (and charger), a hammer, and auger bits. Pretty much everything that isn’t french fit into the well or a till just gets piled in and must be unpacked and piled elsewhere to access to the main set of tools.
It’s a well known fact that Dutch-style tool chests are bigger on the inside (having lots of places to stash tools around the inside of the main compartment). And with some wall cabinet projects coming up, I needed some dovetailing practice. I’d been cutting mostly mortise and tenon joints as of late. Even though I consider myself to pretty good at dovetailing, it had been a while. So let’s make a Dutch tool chest.
Now a full size Dutch tool chest (single lower compartment) is portable enough in its own right. But I like the form factor of my current traveling tool chest and have found a full size DTC to be a little unwieldy to load and and out of the truck. So this chest, although 27″ wide, is only 18″ high. That means a full size main compartment but only a 3.75″ lower compartment. Big enough to cram in a drill driver and charger, a roll of auger bits and a brace and bit and some other bulky odds and ends, but not so big that I’m tempted to overpack. I’ve found that as far as traveling tool chests go, the more extra space you have, the more extra tools you’ll cram in. And that defeats the purpose.
One of the beautiful design features of a DTC is the angled top. Not only does it keep you from piling things onto the chest (thereby preventing you from getting at your tools), it also means that you can put a full size tool rack on the back wall of the main compartment. You just can’t do that with a square chest. I prefer a tool rack that is 1.25″ x 1.25″, with 1/2″ holes drilled on 1.5″ centers. A good number of my tools actually require elongated holes (not just the bigger chisels), but a 1/2″ hole on 1.5″ center is good for a great many tools.
Another great part of the DTC form (piggybacking off the angled top) is the plane till. Not only can you fit a plane till into the main compartment of the chest (in this case, one that holds not only my two shortened panel saws, but also a small 12tpi rip tenon saw), but because of the extra headroom in the main compartment, the space underneath the saws on both sides of the till are usable space. In a stationary, shop-based DTC, you can just pile things in there. For this traveling chest, I’ll need to make some little trays (like the plane till, more on that below) to keep things from bouncing around. And the saw till also keeps the tool rack from sagging in the middle.
This is a traveling chest, so I don’t need to fit a full set of bench planes. Instead, I just keep a No. 5 (with both straight and cambered irons) and a No. 3, plus a low angle block plane. Taking into account the saw till, I’ve got 6.125″ of depth for two rows of plane till/general storage. That is enough (with some creative orientation) to fit everything I need, including my sharpening gear. That’s what I currently have in the square traveling tool chest well, at least.
I don’t own a table saw, and making long thin stock is tough by hand (at least without using rolls of double sided tape). So I tend to build up my tills for French fitting with 1/4″ nominal hobby boards from home center. The poplar is best; one can usually find it nicely quartersawn in 48″ lengths. Its true thickness is around 7/16. But when French fitting by hand, it’s just shooting board practice.
I think that’s it for this one. I have a new to-do’s for the rest of the weekend that will take me out of the shop.
After very little deliberation and just a few moments of thought, I’ve made a tray to complete the refitted knockdown outdoor workbench. It is also of poplar (to match the new slab) and about as simple as a workbench tray can be. Just a wide plank with a back lip glued and screwed on.
It’s important not to overcomplicate things, especially not an outdoor workbench. So when I came across a thin-ish poplar board at the lumber yard that was wide enough (more than 14″!) to get both the tray bottom and the back edge, I jumped at it. Sure, it’s only 7/8 after flattening. But that actually maximizes the available depth (the slab is only 2 3/4″ or so).
To keep the tray aligned and stationary, I added some long battens with elongated holes and truss screws to the underside. These lock in place with a satisfying snap to the inside of the back legs and the top rails. Is it elegant or beautiful? No. Is it perfectly functional? Yes, of course. And it has the added function of keeping things relatively flat throughout seasonal movement.
With the weather getting nicer, I’m glad to have this bench back up and running. Poplar gets a bad rap sometimes, which is undeserved in my view. Not only does it paint and stain well (especially very dark gel stains which cover up the streaking and varying hues (from white to purple), but it’s stable and cheap. The rough sawn boards shown on the saw horses above cost $45 in total at a lumber yard just outside New York City.
I am not super great at interpersonal stuff. With the exception of a few traumas from my youth, I get past things pretty quickly and don’t dwell on stuff. And by extension, I don’t get attached to much (people or things).
I learned about the Sunk Cost Fallacy early in my life and I embraced the hell out of it and never let go. Which seems a tad ironic as I write it: I don’t easily form attachments because of my religious-like devotion to a core tenet of rational economic action. But I think my low-grade sociopathy makes me a better woodworker. I just don’t get attached to materials or projects because I will never let myself succumb to the sunk cost fallacy.
Late last year, I used a bunch of scraps to make a knock down workbench for woodworking away from my shop. Whether on the lawn or at my parents’ house in Vermont (which, I just realized, this morning, is a French portmanteau of “Green Mountain”), this bench has served me well. Except the slab top (face laminated Douglas Fir), which got wet in the back of the truck and cupped horribly.
So, embracing the sunk cost fallacy, rather than spending hours reflattening and whatnot, I scrapped the slab entirely (I’ll cut it up for firewood later). I had a lovely Poplar slab that is a perfect replacement and that only needed some minor attention before it was ready for the thickness planer. Sure, that poplar slab was technically for another project in the queue, but I need a workbench for outside now.
Also, I think it’s worth mentioning that the last slab was 78″ long. But making the poplar slab 76″ would leave an offcut large enough to get four table legs out of. So the new slab is 76″. That only leaves 11″ overhang on each end of the undercarriage. Oh well. Sunk Costs.
In the end, I think we could all be better at avoiding attachments. For instance, it would have been easy enough to try and blind peg the top to the existing 5/8 dowels in the undercarriage. But I took the time to saw off and plane down the old dowels and re-blind peg the top with larger dowels (3/4) that completely subsume the old dowel holes.
This post has gone a bit off the rails, admittedly. But I still need to mortise in the fixed deadman (seen on the floor above) and bore holdfast holes in the slab. And attach the Whipple Hook (which works great and is not being abandoned).
Because not all prior effort is actually a sunk cost.
When I returned from my sabbatical in 2014 and set up my apartment workshop (and started this blog, natch), I was working almost exclusively on a Milkman’s Workbench that you can see in the banner above. This was actually the third I had made, having practiced and experimented on different thicknesses and depths. But I returned to my initial woodworking roots from a couple years earlier, using the full thickness 2×4 hard maple I had left over from one of my very first woodworking projects.
So finding some downtime a weekend or two ago, I decided to finally finish a new version of the Milkman’s Workbench (made of riftsawn ash, natch) that I had been working on for a while. It’s the same length (give or take a half an inch), but there are some important differences.
This new bench uses the Red Rose Reproductions Milkman’s Workbench screw kit. In my original, I had made screws with the Beall Tools Big Threader kit (and a router) and added “hubs” with shaker knobs glued into the ends of the screws. It worked fine (in fact, the knobs gave a great grip). But the Red Rose Reproductions screws are very precise and I love the octagon handles. Not to mention the garnet groove that they put into the long screw for the wagon vise.
This new bench is a bit narrower than the original. This, unfortunately, makes it slightly tippy before it’s clamped down (unlike my original bench, which would sit nice and stable on the bench while I got the clamps in place). But it’s more faithful to the original Christopher Schwarz plans.
It was nice to make another one of these workbenches and relive a formative part of my woodworking life. And to do it in my favorite wood (ash), while that wood is still available as it slowly goes extinct because of a parasite, made it even better.
This new Milkman’s Workbench lives in my truck and, quite honestly, has never been used for actual woodworking.