Big Projects

Of Proverbial Lights and Tunnels

On every new project, there is a point at which the project passes from being a pile of boards to an actual thing.  It’s a magic moment that never fails to make me smile.  I hit one of those points over the weekend, while transferring the length measurements for one of the long stretchers on my new workbench.

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For the first time, to me anyway, it looks like an actual workbench.

There is one more long stretcher to surface, and four mortises and tenons to cut, but with any luck, the bench will be functional by Sunday.  Then it will just be a question of boring holes in the legs (for Gramercy Holdfasts) and in the benchtop (for bench dogs and my Crucible Tools Holdfast).

I’ve never made my own bench dogs before, so I’ll be excited to try it out.

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Silent World

In case you didn’t know, every episode of MacGyver is available on Netflix.  And I’ve been watching the hell out of it.  I recently saw an episode, Season 2; Episode 9, called “Silent World“, where Mac [30-year old spoiler alert!] stops a plot to steal a guided missile with the help of a friend, who is a teacher at a school for the hearing-impaired.

In the episode, the teacher (who is the best-acted character in the episode) has a recurring nightmare that helps identify the perpetrators.  The nightmare seems at first like a prophecy, but is decoded as the episode progresses and in fact turns out to be based on her recent experiences.  It’s amazing how the human brain works, using dreams to process and catalog the myriad sensory information we receive every day.

So what does this have to do with woodworking?  I had been thinking about the design of my new workbench build, which I’d characterize as part Roubo, part Moravian.  A bespoke, if not novel, design to utilize the available materials in the most effective way possible.

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The “Slab to Frame” ratio is about 2:3.

It turns out, however, that my design is a complete knockoff, being positively Follansbeean.  I was reading his blog’s archives and came across the post where he set up his bench in his new workshop (under a tarpaulin).  A post published long before I started building my new workbench.

Although my bench won’t have wedged through-tenons on the long stretchers (I’ll drawbore all the stretchers), mine otherwise matches Peter’s pretty closely, right down down to the spacers on which a thinner shelf will sit to extend the benchtop.  My design is born out of only having 15″ x 92″ of 16/4 ash for the main slab top, and I would be willing to bet Peter was solving the same problem.

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Two stub tenons on the front legs go into the benchtop and keep the slab in place.

Funny how the brain catalogs these things for later use.  But now at least I can give the design proper attribution.

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I Am So Confused (Please help!)

I cut the first leg mortise in the slab for my new ash workbench and I’ve hit a snag.  I can’t figure out what the problem is.

If the reference surface on the leg is flat and true…

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Which is it.

And the mortise is cut into the undreside of a benchtop in a plane that is perfectly flat…

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Which it is (double checked it with my square).

And my shoulder line for the tenon is perfectly square to the reference face on the leg…

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Which it is (sorry for the blurry picture).

Then why is the reference face of the leg not perpendicular to the underside of the benchtop when the shoulder is perfectly seated to the leg?

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What am I doing wrong?

My best guess is that there is some optical illusion from the toothed surface and the tenon isn’t actually seated all the way.  I can bend the leg out a bit to make it square, and it’s 12/4 ash, so that’s probably at the joint, not the leg itself, right?  But I fear that adjusting the inside of the mortise might make the tenon loose (it’s friction fit right now).

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End Grain Problems

Monday’s post was apparently number 200 here at The Apartment Woodworker.  I feel like 200 posts in a little over two years isn’t so bad.  Here’s to the next 200 or so.  Still with me?  Good.

Call me crazy, but I left the workbench slab in the clamps for almost 48 hours.  There was a tiny bit of twist (maybe 1/64″) in the mating surfaces between the two timbers and I didn’t take any chance the PVA glue (Titebond II) would fail simply for insufficient curing time.  This isn’t 3/4″ pine here.  But I’m starting to think the twist might have had something to do with this nasty check at the end of one board.

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Masked for when it gets stabilized.

I’ve talked about it in the past, but I like to stabilize end grain checks with thin viscosity cyanoacrylate glue (i.e., super glue).  It dies hard and clear and penetrates deep into the check.  This particular check goes almost 3/4 of the way through the thickness, but seems to angle upward, so I might not need the whole bottle of CA glue.  But if I do, so be it.

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That ridge in the middle of the tape is the gap.

The good news is the check is on the underside of the main slab, and at the back right corner (to hide the bit of wain).  As long as the check gets sealed up, that should be the end of the problem.

Should be.

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That Still Only Counts as One

I’ve been building an even better workbench of late, and today was a major milestone in the build: laminating the top. Unlike my current workbench, the main slab of this benchtop is just two boards. And they both came from the same length of wood, so in my book, that still counts as only one board. 

Gimli would be proud.

The lamination is 91 inches long, 15.5 inches wide, and a shade under 4 inches thick. I would like the benchtop to be about 22 inches of total depth, but I dont have any more 12/4 ash and I don’t want to laminate smaller boards onto the main slab.  So I have a decision to make: add a tool well or make a torsion box out of 5/4 ash to form the final third of the benchtop. Can it be both?

That hollow will come out during final dressing.

I keep thinking about that stretcherless Shaker Workbench and how that back board was held on with pegs in the main slab. But I’d like the option to use the tool well when I don’t need a full-depth bench. 

Has anyone ever made a reversible tool well?

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My Heart and My Soul

I have poured my heart and soul into many woodworking projects.  The rolling cart for my new Craftsman tool chest is not one of those projects.  It’s a utility piece and there is no mistaking it.  That having been said, there are a few things about the project that I really like.

  • Halflap joints are exceptionally strong when done right.  The shoulder on the vertical stiles is a load bearing surface.  And if the shoulders are square to a reference face, they go a long way toward keeping the horizontal rails (and therefore the entire frame) square.  Finally, face grain to face grain glue surface translates into a joint that will never come apart.  And it’s relatively easy to cut with a single saw.
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I even get to use my large tenon saw.

  • Whitewood is a joy to work.  Home center whitewood 2×4’s often have a birdseye figure that glistens after smoothing.  The wood is kiln-dried, gentle on plane irons and saw blades, and the price per board foot is unbeatable.  The frames pictured below were made with less than $6 of wood.  The entire whitewood frame for the rolling cart will cost less than $20 (and that includes 2″ decking screws).  Add in casters and a 24×48 sheet of birch plywood and that’s the entire basic cart.
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The screws just hold the joint together until the glue dries.

It makes me wonder: would a whitewood workbench be tough enough?  It would certainly go together with hand tools much easier than the equivalent of Douglas Fir, I’d think.  For a light duty bench, say a 10 foot planing bench, I bet whitewood works just fine.

One last thing on whitewood: I’ve noticed is that the grain direction doesn’t quite work the same as other woods.  These boards often have the pith running straight through the middle.  This means the grain runs in the same direction on both faces.  I always manually check the grain first, because flipping end over end (like you’d do with other boards) could be a quick way to some nasty tear out.

Next up is cutting 3/4″ recesses for the long rails, then more gluing and screwing.

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One and Done

So maybe it does look like a coffin, but the traveling tool chest 2.0 is officially done.  I use the word “done” on purpose, because it’s not quite finished (cough).

 

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But it is ready for finish.

In the end, there was very little agonizing over how to attach the iron handles.  Two oak blocks were glued to the inside of the chest and screws were driven from each side.  Simple.

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Seen here, like a very lazy dog bone handle.

Unlike its precedessor, this chest has a single stationary till.  I don’t usually dovetail tills (preferring to rabbet and nail for speed of assembly), but in this case, only dovetails would do.  There will be too much stress on the left wall of the till every time it comes in and out of the chest.

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For strength and woodworking pr0n.

Having never built a stationary till before, I reach an organic solution that but for modesty I would claim credit for.  The rack on the back wall is proud of the runner and acts as a stop to keep the till from sliding around.  I am undoubtedly not the first to use such a trick.

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If it ever wears out, I’ll add another rack on the front wall.

The till itself is only 9″ wide, which limits its holding capacity to smaller items.  But that means about 13″ of floor space is unobstructed: plenty to get a jointer plane in and out without having to remove the till.  This is a vast improvement over version 1.0, where the “sliding” till blocked all access to the well.

Now to psych myself up for painting.  In the meantime, I’m making the crochet for my workbench.

More on that soon.

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A Little to the Left

Once the seams on the traveling tool chest lid were leveled and nails were driven into the dust seal to lock it in place forever, it was time to think about internal storage.

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If this dust seal comes off, we’ve got bigger problems.

I’ve read enough of The Furniture Record to know that a till goes on the left (unless the craftsman decide to put it on the right).  I’m nominally right-handed, and I keep my planes on the right hand side of the well, so I’m sticking with tradition.

The till will be constructed much like the sliding trays in my previous tool chests: a 1/4″ red oak bottom nailed onto a carcase of rabbeted and nailed 1/2″ pine.  The till will sit on runners of 1/2″ red oak, glued and nailed to the inside walls, and be held in place by some red oak end caps to the runners.

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End caps not yet attached.

At roughly 9″ x 10″, and almost 5″ deep, the till should have significant holding capacity.  That leaves a little less than 14″ of exposed well on the right side of the chest: plenty for a No. 4 bench plane to go in and out without disturbing the till.  And the 6 1/4″ of clearance under the till is plenty for a tool roll with chisels and marking knives.

But enough about wooden tool chests.  Let’s talk about metal ones.  I took the plunge and purchased a new 41″ Craftsman tool chest that reminds me of a hybrid between a Dutch tool chest and an English floor chest.  So it’s time for a new rolling tool cart to keep the new tool chest off the floor.  And that means spruce 2×4’s.

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Or “whitewood” as it’s called at the home center.

The frame will be lap jointed, glued and screwed, and topped with a sheet of 24″ x 48″ birch plywood.  With the casters, it will be overall 24″ high, 24″ deep and 48″ wide.  I may add some shelves (or even some wide drawers), but that will come later.

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Unfinished Business (Heyo!)

Having cleared some general carpentry projects from my plate, I got back to doing what I do best: picking up projects I hadn’t thought about in weeks (months?).  In this particular case, it was the travel tool chest.  It’s been lidless for a long time.  So I made a lid.

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Seems to be a theme here.

It’s probably clear from the picture above, but that’s just a 1/4 piece of home center birch plywood face glued to a 3/4 piece of home center birch plywood.  It’s a trick from Christopher Schwarz’ A Traditional Tool Chest in Two Days and it is fantastic.  I can use plywood here because the chest has a proper dust seal (that works like edge banding and hides the ugly plywood edges).

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Seen here (2/3 scale).

The benefit of plywood (in addition to the ease of “raising” a panel) is the full length glue-up on all three sides of the dust seal.  There was a bit of twist in the dust seal, but the weight of the clamps was enough to press it flat while the glue dried.

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Gravity is a wonderful thing, when applied correctly.

Even with the strength of a full length glue up, I plan to nail the dust seal into place.  I am also yet to level the top seams and fill the back edge of the plywood (with water-based wood putty).  Then it’s painting time.

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My buddy thinks it looks like a coffin.

What I haven’t figured out is what to do with the inside of the chest.  On the last incarnation, the full length sliding tray didn’t really have room to slide and totally blocked access to the tools below when in place.  On this version, I might hang a stationary (but removable) till on the inside left.  Something large enough to hold all the odds and ends for on-site woodworking, but not so big that it blocks the well entirely.  That plus a wall rack with 1/2″ holes on 1 1/8″ center should be plenty of storage.

And there is the small matter of how to attach the handles.  Oak runners for sliding tills usually reinforce the side walls enough to use iron chest lifts.  I either need to attach more wood to the inside of the chest, or make rope beckets to screw in from both outside and inside.

Neither option is ideal, but one is clearly easier.

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One of these…

…is not like the other.

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At least it will be, soon enough.

I’ve spoken before about how pleased I am with the overall size of this 24″ x 12″tool chest.  It fits everything I need for off-site projects (except for a panel saw, but whatever) and remains portable.  On this, my fourth overall traditional floor chest, I am going back to the full dust seal.  Which means, first of all, a dovetailed upper skirt.

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Fewer dovetails means less work (in theory).

I’ve also decided to paint the full carcase before I attach the handles or make the lid.  And speaking of lids, I am so enamored with the plywood “raised panel” lid from Christopher Schwarz’ Build a Traditional Tool Chest in Two Days, that’s the approach I’m taking here.  Albeit with a 1/4″ raised panel.

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I’m also using Tuscan Red again.

There’s been a lot going on, but posts should become more frequent.  More on this tool chest next week.

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