Techniques

A Dovetailed Box

Over the last couple weekends (in what little free time there was), I have been making a simple dovetailed storage container for my car.

Not winning any awards, but definitely sturdy enough to hold a pair of aquasocks, a multi-tool, a portable air compressor, an emergency water bottle and some miscellaneous supplies.

Not winning any awards, but definitely sturdy enough to hold a pair of aquasocks, a multi-tool, a portable air compressor, an emergency water bottle and some miscellaneous supplies.

I’ve been meaning to replace with something more permanent the heavy duty cardboard file box I use in my car to maintain organization of odds and ends. Finding myself with some leftover 3/4 birch plywood, I decided it was time to dovetail a box.  I don’t cut dovetails often and I like these little, non-critical projects to keep my skills up.  Mostly, though, this project was good opportunity to test the capabilities of the Milkman’s Workbench in a situation where perfection is non-essential. Spoiler alert: it performed admirably, as advertised.

Just to be clear, I’m not here to teach you how to dovetail.  If you are looking for instructional videos, there are wonderful dovetailing tutorials all over teh interwebs (I highly recommend Paul Sellers or Rob Cosman).

Dimensioning:

I want to say from the get-go that plywood is not ideal for dovetailing (I rarely use the stuff anyway) and dimensioning sheet goods with hand tools is almost more trouble than it’s worth.

I typically rough cut sheet goods with a jigsaw and use a flush trim bit and a straightedge clamp to clean up and square the edges, but I am inside again and plywood dust is gross.  Instead, I rough cut four pieces by hand (2 sides and 2 ends) and planed straight and square with a #4 bench plane one end piece and one side piece to use as patterns.  I then lined up the factory edges and used double-sided tape to attach the pattern piece to the second rough cut piece (show-side to show-side, which will be important later).  Using the affixed pattern piece as a guide, I planed down most of the overhang on the rough piece to approximately 1/32″ (to have as little waste as possible) and cleaned up the final edge all around with a flush trim router bit.

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Less waste to remove means less gross dust to clean up.

The bottom piece, which is 1/4″ plywood from the craft store, floats in housing joints in the assembled box and is just hand ripped reasonably square and straight and fine tuned with a block plane.

Joinery:

There shouldn’t ever be a ton of stress on the glued up joints, so at a little under 12 inches high overall, I went with three tails per corner.  I’m a “tails first” kind of guy and typically I prefer to hog out most of the recess waste with a coping saw (then chisel down to the line), but go with what works for you.

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Layout is simple with a decent dovetail marking guide. I use the Veritas version.

I did not separate the now-identical side pieces prior to sawing the tails.  I had a good reason, however: supporting the show-side to prevent blowout is critical when dovetailing plywood.  By leaving the pieces affixed, the show-side of each piece acts as a backer board for the show-side of the other.  As an added bonus, the tails you saw are (hopefully) identical.   Plus, I find working on the wider stock makes sawing perpendicular easier (on plywood, you should also eyeball perpendicular against the layer lines).  All in all, it saved some time and, again, not a museum piece here.  I note that this trick does not work for cutting pins when you cut the tails first; you will need to separate the pin boards.  It may work if you cut pins first (I think the pins may be asymmetrical, which may be a neat design element), but I haven’t tried it.

Tails first.

Tails first.

A coping saw and a chisel made quick work of the first set of recesses between the tails.  All of a sudden, just after I finished sawing the second set of tails, the double sided tape gave way and I had to finish up the tail boards individually.  I also decided to put down the coping saw and chiseled out the remaining pin recesses (more on that later).  Beware cracking the veneer when chopping out the waste with a chisel.

I then scribed and sawed the pins in the usual way, also using a chisel to cut the tail recesses.

Not bad for plywood

Not bad for plywood and being out of practice.

I routed the 3/8″ deep housing joints for the bottom piece with a 1/4″ up-spiral bit and a fence (dust extraction works much better in this router orientation) and tweaked the fit of the bottom piece with a block plane.

Assembly, Gluing and Finish:

A backer board also comes in handy when seating the joints during final gluing.  I always use a piece of wood to cushion against the mallet blows when seating joints and the support for the tails guards against chipping and blowout if/when the joint is a little on the tight side.  Unlike solid wood, plywood de-laminates and cracks instead of compressing, even when lubricated with glue, so the extra support goes a long way.  There is a chance the box might get wet, so I opted for overkill with Titebond III.

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Mechanical joints mean single-direction clamping pressure.

After the glue had dried, I flushed any protruding pins or tails and trued the base of the box.  Then I softened all corners with a radius plane and plugged any large gaps in the exposed plywood “end grain” with some water-based wood filler.  No finish required.  It’s not pretty, but it’s not meant to be pretty.  Everything then got a quick 220-grit orbital sanding to remove the pencil marks.

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Sitting on my saw bench, “clamping” the work with my feet.

I had the idea of threading some 7/16″ nylon line from the boating supply store to make a rope handle.  I tested a couple different lengths and finally settled on a single strap that I could sling over my shoulder (as opposed to individual handles on the ends).  I hope I don’t regret the shortcut.

Conclusions:

I’m pretty satisfied with the box; it is solid and it holds stuff.  Truth be told, it’s been done for about a week.  I am just staggering posts.

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There are gaps. It happens. I’m not looking for a critique of my dovetailing.

Next time I dovetail plywood (I still owe my father some marine plywood drawers for his Frers 33), I am definitely skipping the coping saw. It works fine for solid wood, but is tough to control in plywood (with the multi-directional grain of the layers and all) and the veneer can tear easily.  Not to mention the awful screeching sound.

The Milkman’s Workbench worked quite well for this project.  Early on, it became clear the grip of the front vise screws wasn’t great until turned so tightly they mar the work, so I added leather pads to the ends of the front screws.  This improved holding power at much softer clamping pressures and work slippage nearly disappeared (although with increased grip, the work rotates a bit when the screw is engaged).  Front vise flex decreased dramatically as a by-product of lower clamping pressures as well, and I recommend anyone using a Milkman’s workbench take the time for this easy upgrade.  After a few more months of use, I will do a full retrospective on the bench’s total functionality.

Much gripper.

Much gripper.

As I was working, though, I started fantasizing about making a significantly larger version of the Milkman’s workbench.  Something with at at least 36″ of maximum clearance between the widest dog and the wagon vise and not less than 30″ of front vise inside clearance.  This would mean 40″ plus of total workbench (and probably a third screw in the front vise); my workshop table is slightly over 50″ long and should easily handle a clamp-on bench of this size. I would probably make the main bench deeper too (for a larger chopping surface) and maybe abandon current front vise configuration for something more like a moxon vise…

Several hours with pencil and graph paper later, it became abundantly apparent that what I really need is not a larger Milkman’s Workbench, but rather a planing slab (like a Japanese workbench, maybe with some dog holes and a Veritas inset vise). Something around 18″ x 60″, made of laminated pine framing timbers.  I guess I know what my next project will be after I finish those footstools for my brother’s new house.

Also, I can’t say it enough: plywood dust is gross.

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The Bare Essentials (Full Version, Part 1)

When I first decided to take up woodworking in May 2012, I lived in a two bedroom apartment in Lower Fairfield County, Connecticut and had exactly zero clue on how to proceed.  So I did what I think anyone would do in that situation: go to the home center, grab a WorkMate portable workbench, some hand saws, chisels, marking tools, clamps and a block plane off the rack and get to work.

Tools in hand (and having not yet discovered Paul Sellers and his Woodworking Masters Classes or Chris Schwarz and his Lost Art Press), I then did what anyone in this internet age would do: browse some basic instructions on the interwebs and do my best.  I took on projects well beyond my skill level (including a seven foot parsons dining table for my parents and a vanity sink for my brother’s remodeled bathroom) which, surprisingly, came out okay.  Today, I cringe at the tool marks and gaps in those early pieces (and I have since reclaimed the wood from most of my other early projects), but I was making things and I was hooked.

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Fast forward two and a half years and I am back pretty much where I started: in apartment in Lower Fairfield County, Connecticut, working wood in the evenings and weekends with a limited set of hand tools.  What lives on my workbench now (a Milkman’s Workbench clamped to a sturdy dining table I built for such a purpose) is very surprisingly not much different than what lived on and around my workbench then (a WorkMate 425): some hand saws, chisels, marking tools, clamps and hand planes.  My current tools are nicer, sharper, better tuned and of slightly larger quantity, it’s true, but in retrospect I wasn’t THAT far off when I stumbled into the home center a fresh faced newbie.

I have found a setup that works for me and I hope to be a resource for other new woodworkers wandering in the “what tools to buy” wilderness. I made some very bad tool purchases when I didn’t know any better and if I can steer just one person away from the same mistakes, I will be proud. I am intentionally avoiding brand-name-dropping, so if you are looking for hand tool porn, you are probably in the wrong place.  And remember: all of this is just my opinion based on my personal preference, experience and budget.  Figure out what works for you based on your goals and your resources.

So, here we go.  Please, feel free to judge.

Chisels:

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Marking knives and small planes, as well.

Nothing special here. A set of six bench chisels from 1/4 inch to 1 inch in 1/8 increments (which took forever to flatten but hold an edge quite nicely), plus two other chisels: a 1/2 inch sash mortiser (which I also use for paring) and a 3/8 inch corner chisel.  I use an 18 oz poly-wrapped chisel mallet that I bought off Amazon. That’s it, and it gets the job done. I would love to add a real paring chisel and maybe a wider bench chisel, but I am not quite sure where to fit them in the chest.

Chris Schwarz recommends that beginning woodworkers start with 1/2 inch and 3/4 inch chisels, and I would add to that a 1/4 inch (for cleaning out waste). At that point, though, a low cost but quality set of bench chisels starts to make sense (it seems they are always on sale, anyway).  Be sure to read up on flattening and honing, though, so you don’t completely ruin your first set like I did.

Hand Saws:

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Not pictured: three panel saws.

Pictured are seven joinery saws: an 11 inch crosscut carcass saw, two ripcut tenon saws (12 inches and 16 inches, respectively), two dovetail saws (14TPI and 20TPI), an old Disston coping saw that was my grandfather’s and a box store flush cut dowel pullsaw.  I know that is too many for a beginning woodworker; you really only need three, I think.

In my mind, the essential joinery saw set consists of crosscut carcass, ripcut tenon and dovetail. I know could do without the super fine dovetail saw (at 20tpi, I never use it because I don’t think I can even sharpen it) and the smaller tenon saw (if I had to, though it’s my favorite saw).  Also, there is nothing a flush trim saw can do that a dovetail saw and a chisel can’t in slightly more time.  Furthermore, not everyone hogs out dovetail waste with a coping saw (and mine requires vintage blades). If you use the knifewall marking method (which you absolutely should), you could even skip the crosscut carcass saw, but I have found the decreased resistance when crosscutting shoulders and housing joints helps in developing good sawing technique and habits.

My panel saws include two 26 inch ripcut (4.5 and 8 TPI) and a 22 inch, 10 TPI crosscut, although I got along just fine with only the 8 TPI ripcut panel saw for an extended period.  8 TPI in a ripcut pattern is easy to sharpen and works in a both directions for a variety of woods and thicknesses.

Measuring and Marking:

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Yes, that is a folding rule, and I use it all the time.

Now we are starting to cross into the more “miscellaneous” part of woodworking.  Other than a 12 inch combination square (the best you can afford), a decent tape measure, a marking gauge of some sort, a marking knife and some pencils (mechanical, black charcoal and white charcoal), the rest is personal preference.  I use a folding rule every time I woodwork and I couldn’t live without my brass setup gauges (which I use for testing tenon shoulders depth just as often as setting router depth).  The long white box in the front is a set of aluminum winding sticks, which are absolutely essential for hand-preparing rough stock and work well as straight edges.  The other try squares and the aluminum dovetail marker are luxuries I could live without (but would prefer not to).  And, of course, that Pocket Ref (4th Ed.) is just for show.

Two double bevel marking knives (both gifts), a scratch awl and a Shinto rasp live in the middle top drawer with the sash mortiser and corner chisel (see above).

Miscellaneous:

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There is never enough space for never enough clamps.

We are officially at essential odds and ends.  Some clamps; Blue Tape (you gotta have Blue Tape); screwdrivers; pliers; crepe blocks (if you don’t have one, get one); painters tools; a deadblow mallet; sharp scissors (essential for sand paper); and who knows what else.  I think those are needle files under the beeswax and a magnet at the front right.

And there you have it.  A place for (almost) everything, and everything in its place.  I am satisfied with the current state of my tool collection, although there are still a few, non-critical gaps I will address in due course.

You may be wondering, “where are the big hand planes?!?”  Well, I will treat them in a bit more depth in a second full post that should go live next week (the alluded-to “Full Version, Part 2”).  For now, here they are in their resting state, mere soldiers in this endless, bitter war against corrosion.

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In my defense, my chisel plane, small router plane and shoulder plane were in the “Chisels” picture.

That’s all for this week.  I have to prepare for an early Friday conference call.

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A Proper Foundation for Woodworking

Welcome to The Apartment Woodworker (.com)!  After much delay, I have finally finished organizing my new apartment workshop.

Fits conveniently in the dining nook!

The full workshop

Today, I present my new “dining” table, which forms the [literal] basis of the workshop.  Hand-crafted (by me) of solid ash (purchased rough-sawn from Exclusively Vermont in Bristol, VT), the table measures 50″ long, 34″ deep and 31″ high and has a 48″ long and 24″ deep lower shelf.  The entire piece is finished in two coats of Watco Danish Oil (Medium Walnut).

All joints are hand cut, other than the mortises in the rails (hogged out by router for expedience)

The foundation of any workshop is a rock-solid work-surface

Each leg is a single piece of solid ash nearly 3″ square.  The top rails (3.5″ x 1.75″ of solid ash) are joined to the legs with draw-bored mortise and tenon joints.  The bottom rails (also 3.5″ x 1.75″ solid ash) are joined to the legs with 1″ deep housing joints and the bottom stretcher (3.25″ x 1.5″ solid red oak, purchased rough-sawn from Gagnon Lumber in Pittsford, VT) is mortise and tenoned to the lower rails.

All joints are also glued

Detail on the draw-bores and reveal

The tabletop consists of four 1.125″ solid ash boards, edge jointed with a slight round-over at the seams. After much debate, I decided to glue the tabletop to the frame and reinforce the glue joint with four angle irons (custom made at Mac Steel in Rutland, VT) secured with 1″ #10 wood screws.  The goal was rigidity and, although not elegant, it did the trick.

These are the same angle irons that I use on my milkman's workbench

Metal fasteners do have a place in my work, after all

There will also eventually be a lower shelf of solid ash, as soon as I can get back up to Vermont and retrieve the remaining ash lumber.  For now, though, a sheet of .75″ birch plywood works just fine.  I am also waiting for delivery of the carpet which will live under the table permanently.

All-in-all, I am very pleased with the result.  Even though the table is clearly intended as a clamping surface for a milkman’s workbench (which will be covered in the next post), the table is very much furniture quality and one day will take its rightful place as a dining table that will far outlast me.  On its own (even without the bottom shelf), the table weighs over 100 lbs and, with the plywood bottom shelf fully-loaded, the table is nearly impossible to move.  I doubt I will need to worry about bench-wobble causing handplane chatter.

Thanks for coming by!  Please let me know what you think and stay tuned for my next post, which will cover my condensed tool chest and other workshop accoutrements.

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