woodworking tools

Thought Experiment

Where we last left off, I had just about made a functional workbench for the cost of seven Douglas Fir 2×4’s and some construction screws.  Before I knew it, I had a sturdy surface that (although a bit narrow, in retrospect) was ready for some serious woodworking.  There was just one problem: I had cheated and not even realized it.

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Nice looking bench, if I say so myself.

You may have noticed the Veritas low profile planing stop shown above.  They are easy to install (you just drill a couple of 3/4″ holes) and super functional and I swear by them.  But there is no 3/4″ bit in my basic tool kit yet.  Since I’m not yet ready to compromise this intellectual exercise, the planing stop has to go.  Some West Systems epoxy does the trick filling the holes.

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Faces in things.

3/4″ drill bit aside, I definitely have a regular set of drill bits and a hammer.  So instead of a commercially-available planing stop, let’s instead make a palm, which is a different type of planing stop that’s useful for restraining boards both on the their faces and on their edges.

For those unfamiliar, it’s literally just two 1/2″ boards, nailed on at 45 degrees to the length of the bench and 90 degrees to each other. I used 6d die-forged nails with the heads counter-bored a bit so I don’t accidentally ding a plane sole on thinner stock.  Narrow boards (and boards on edge) wedge themselves into the palm (a bit like a crochet), and wider boards but up against the points (like a straight planing stop).

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Not sure what additional wisdom you’re looking for here.

I think that’s all the workholding I’ll need for now.  That said, the list of tools has expanded a bit.  The current list of all tools I used for building the bench is as follows:

  • No. 5 Jack Plane
  • Chisels: 1/2″ and 1″
  • Panel saw
  • Double-faced mallet (not pictured)
  • Claw hammer (not pictured)
  • 12″ combination square
  • 4″ try square
  • 36″ straightedge
  • 12′ tape measure (not pictured)
  • Folding marking knife
  • Wheel marking gauge
  • Small folding bevel gauge
  • Birdcage (square) awl
  • Mechanical pencil, etc.
  • Medium cut straight file
  • Cordless drill driver with standard drill bits and driver bits (bits not pictured)

But I think it’s fair to say that if the entire tool kit for making a workbench fit on the top of that workbench, then it qualifies as an apartment woodworking bench.

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I plan to immediately add a large router plane, also.  I can live without it; I just choose not to.

Up to this point, I’ve just been keeping track of the tools used and putting them back in my floor chest as I go.  But a full size floor chest is not exactly within reach for most small space woodworkers.  To be honest, my full size floor chest (40x24x24, not including the casters) is probably too large for my 12×13 bedroom workshop shop.  So it’s time to make some tool storage that’s more appropriate for a small shop.

I think a tool chest in the Dutch style popularized by Christopher Schwarz and Megan Fitzpatrick is the best option here.  I’ve built two of them before (one large that was gifted to a friend, one extra small with just the angled compartment that is just a residential toolbox) and in my experience they can be built with minimal tools.  I’m not bold enough to cut dovetails pins first on a low workbench, so I’ll stick to rabbets and nails/screws for this one.  Should be plenty strong for something that will live on a saw bench up against the wall.

But here are the rules going forward for this experiment:

Rule #1A: before I can pull a tool from my floor chest, I have to first do the operation (if possible) using one of the simple tools listed above.  For example, when making the workbench, after I cleaned up one of the leg mortises entirely with chisel, I could have swapped in a large router plane to do the same job (I actually did this for one where the grain was particularly unruly).  Another example: once I hand crosscut and square a board the first time, I can thereafter use my chop saw to move things along on the rest of the cuts.

Rule #1B: if the operation cannot be comfortably (or safely) done on the low workbench with a simpler tool, I can pull the correct tool as long as it can will in the Dutch tool chest.  If the correct tool will not fit in the Dutch tool chest and the operation is not comfortable (or safe) to do on the low workbench, I cannot perform that operation and must use a different joint/feature.

Rule #2: No vises, but clamping boards to the workbench is fair game.  I have access to my full set of clamps, in fact.  I’m not that much of a masochist.

Rule #3: I have access to my existing shooting board and can do the operation on my high workbench.  I can certainly make another shooting board that will fit better on the low workbench (I’ve done it before).  However, this same shooting board used to live on my kitchen island and I see no reason to change things up now.  And shooting while standing is far easier on the back and shoulders.

Rule #4: I’m also allowed to use my benchtop drill press for the chisel rack that goes in the chest.  Yes, I could do it by hand.  But I’m not getting into this argument with you.

As of the writing of this post, I’m almost finished with the main part of the Dutch tool chest.  Here is the full tool kit to date (not counting parallel jaw clamps and the aforementioned benchtop drill press):

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Still no 3/4″ auger and bit, though.

This has been a long one, so I’m leaving it at that for now.

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Starting Out Fresh

Having laminated seven Douglas Fir 2×4’s into a roughly 72″ x 10″ x 3.5″ slab off screen, it was time to set some ground rules.  Going forward, I would only use basic hand tools to make a workbench worthy for an apartment woodworker.  Or, at least that was the goal.  Let’s see how it went.

Using just my No. 5 jack plane, I proceeded to flatten the underside and square both edges to the underside.  I tried supporting it with the buckets I was using as saw benches, but that didn’t work too well.   The buckets were just too slick and the slab rocked too much.  So I reverted to just working on the floor on a non-skid mat.  It was slower going than I wanted, and my back and knees are killing me (heyo!), but it got done.

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The sawbucks are just for staging the picture.

It took less time to dress the top, but in doing so, I realized my basic tool kit was missing something: a marking gauge.  So I’ve added a wheel marking gauge to the basic tool kit.  Eventually, the slab was S4S enough for joinery.  But before cutting any joints, a coat of “Tung Oil” to protect against any glue squeeze out when the legs eventually get glued on.

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And also some home center saw horses to raise the work.

Nine inches from the end seemed about right for the legs.  When making a saw bench in the Schwarz pattern, the legs are recessed into the sides of the benchtop via square dadoes.  Then, angled lap joints on the legs cause them to poke out at the right angle.

All dadoes start the same way: mark it, saw it, chop out the waste with a chisel.  Typically, I finish off each dado with a light pass from the router plane to ensure uniform depth and a shoulder plane to square the walls of the extants.  But router planes and shoulder planes are luxuries outside the scope of the basic tool kit.  It has been a while since I did this by chisel alone, but I got it done, even if the dado bottom isn’t pretty.  But that might be because Douglas Fir is real splintery.  The extants are square at least.

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One of four.

The only hard part about this joint is laying out the leg.  However, if you cut the top of each leg to a consistent angle (10 degrees works great), you’re almost all the way there. But that requires a bevel gauge.  Which has also been added to the core tool kit.  I won’t go through the whole process, nor could I better than Mr. Schwarz does himself here.  But suffice to say, if your shoulders line up, then you can pre-cut each leg to the exact same length and you won’t need to worry too much about leveling the feet.

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More paring just via chisel.  I would typically use a carriage maker’s plane for this job.

Part of what makes this joint strong is the large glue surface between the slab and the legs.  Use the offcuts from the angled lap joints to assist in clamping, then drive in a couple screws through each leg (parallel to the bench top, not the legs).  Be sure to countersink them a bit so the screw heads are well below the face of the legs.  Don’t worry; we’ll flush the tops of the legs later.

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I was uncomfortable with No. 10 screws and later upped to No. 12.

But the joint doesn’t just rely on glue and screws.  A couple of gussets, glued and screwed onto the legs.  When making gussets, perfectly quartersawn softwood stock will allow you to glue and screw along the entire width with minimal risk of splitting over time.  I also squared up the ends of the slab off camera, but in fairness, that’s not necessary.

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I’ve already done an ode to gussets.

And that’s it for the main bench.  Next time, we’ll reassess the full basic tool kit and begin adding work-holding.

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An Apartment Workbench

So I’ve hit the reset button.  Armed with only the tools listed below, I’m going to start again in my woodworking life.  First step is to knock together a decent workbench, then follow it up with a tool storage unit.

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Deja Vu all over again!

Let’s talk about the tools, first:

  • Handsaw.  For this, I’m using the excellent Brooklyn Tool & Craft Hardware Store saw.  I love this thing, but any impulse hardened contractor saw from the home center will do.  I especially like the Craftsman 20″ saw from the home center, if you’re going that route.
  • No. 5 Jack Plane.  The body is a Type 11 or 12 Stanley; the rest of it is very much a harlequin baby of scavenged parts from a number of different planes, plus a new Honduran Rosewood knob and tote.  I could easily have gone with a No. 4 smoothing plane, such as the very decent Taytools version.  I just like the slightly longer sole for quasi-jointing.  I’m using two different irons: one for scrubbing and one for smoothing.
  • Speed Square.  Nothing fancy here; just a plastic Stanley speed square from the home center.  I agonized about whether to use my Starrett Combination Square.  But, amazingly, this speed square (which I’ve had for a billion years) is pretty square.  This will, in fairness, be the first thing I swap out for a high end tool.
  • 1/2″ Chisel.  If I had to choose just one size chisel to use forever, it would be a 1/2″.  And the Lie-Nielsen socket chisels are second to none.  Period, full stop.  Narex are pretty good too.  Buy buy the ones from Lee Valley; the Amazon ones seem to be poorer quality, for whatever reason.  That’s a Thorex hammer, which I bought on recommendation from Paul Sellers (and I can’t live without it now).
  • Folding Utility Knife.  As noted above, I fully consider myself a disciple of Paul Sellers, and this knife is absolutely all the marking knife you need.  Cheap and effective: the apartment woodworker’s dream.
  • Tape measure, mechanical pencil, wood glue.  Stanley, PenTech, Titebond 1.  ‘Nuff said.
  • Cordless drill driver.  Whatever you’ve got.  Mine is a DeWalt 20V.  A two or three jaw brace would work just as well.
  • Sharpening Stones (not pictured).  I use Atoma diamond plates.  You could honestly get away with just the 1200 grit version, which after a little use breaks in nicely.  But having the 400 grit version makes flattening and regrinding easier.  I’m not bold enough to freehand sharpen, so I’m keeping my Lie-Nielsen sharpening jig (but a cheapo Eclipse knockoff will work fine too).

The plan is to make a low workbench.  Not a staked version.  That would require auger bits for a brace and a spokeshave to make round tenons, not to mention a bevel gauge or comparable jig.  This low bench will be patterned roughly off a Schwarz-pattern saw bench.  I prepared the slab off camera.

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Yes, I have lots of parallel jaw clamps.  That doesn’t count.

Douglas Fir 2×4’s at my local home center are about 102″ long.  That’s eight and a half feet, in the vernacular.  Which means the off-cuts from a 72″ workbench are long enough for legs and gussets on a low workbench.  That said, there are not four clear off-cuts from the seven boards I had.  And I would never lie to my readers.  I’ll use some 2×8 offcuts I have left over from a Naked Woodworker workbench I made for my brother for the legs.  Or just buy a couple more 2×4’s from the home center.

Speaking of not lying to you guys, I’d like to be clear about something.  I surfaced two of the seven boards for the glue up using buckets as saw benches, to prove I still can.  But for the sake of my lower back and sanity I did the rest on my 60″ roman workbench.  I’m not a masochist, after all.  At least not in my woodworking.

I’m going to leave it there for now.  Next post, I’ll work on the legs and change up the rules a little bit.

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A Valiant Effort

I too read that recent Popular Woodworking online article about Taytools hand planes. I’m not much of a tool collector (I have a spare Stanley No. 5 for my out and about toolbox and a cadaver of an extra Stanley No. 4 to scavenge parts if necessary), but I couldn’t help myself at the Amazon price for a No. 4.  I’ve wasted far more money on other tools, after all.

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The No. 5 was sold out and, besides, I have a No. 5 I love already.

Let me start by saying that, for the price, this seems like a pretty good tool.  I paid US$65 and got something that felt solid in my hand.  Would I recommend it for a new woodworker with limited space to work in?  Very probably.  I think it’s a valiant effort, all told.  But let’s explore a bit further.

I’ve restored between 5-10 antique Stanley planes and setting this thing up for relatively refined work took about an hour.  The most work went into the cap iron (about 20 minutes), which started out a bit rustic.  I also had to grind a bevel onto it, which went slowly and carefully to avoid removing too much material.  The cutting iron was ground hollow and only took about 10 minutes to flatten and another 5 or so to sharpen and introduce the back bevel with the ruler trick.

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I’ve seen worse.  Much worse.

The plane’s sole was also ground pretty hollow, which is fine.  I haven’t fully dressed the sole for smoothing yet, which I plan to do to 220 grit.  The manufacturer seems to have erred on the side of hollow grinding where possible.  For the record, I am 100% okay with this approach.

Three things about the Taytools plane stand out to me, though.

First, the mouth of the plane is cavernous.  On my Type 11 Stanley, the mouth is a smidge under 3/16, and closes up nice and tight with minimal frog advancement.

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The pitting doesn’t affect performance.  Stop complaining.

Compare that to the Taytools version.  The mouth is over 1/4 wide.  Now, 1/6 may not sound like a lot, but it’s noticeable (and a 33% increase!).  If I wanted this plane for general work, it’d do fine.  But as I’ve noted before, smoothing takes a tight mouth.  I had to move the frog significantly forward to close up the mouth.  Will this result in chatter?  Who knows?

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Notice the scratch pattern around the edges from testing the flatness.

Second, the frog adjustment mechanism is just garbage.  Novel, but garbage.  The yoke is cast into the frog itself and the tapped hole for the adjustment screw was not parallel to the bed.  This meant the frog kept binding as I turned the screw.  I eventually gave up and removed the frog adjustment screw entirely.

Finally, the plane is longer than a vintage No. 4.  Not by much, but I could see it making an incremental difference over the life of the tool.

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Weird, right?

I would be remiss if I didn’t weigh them both.  I prefer the lighter Stanley No. 4 Bailey pattern plane to the modern Bedrock copies for smoothing tasks.  My current smoother clocks in at a manageable 1615 grams.

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That’s 57 oz or 3 lbs 9 oz for the imperial types.

Surprisingly, the Taytools No. 4 is only 1890 grams (aka, 67 oz or 4 lbs 3 oz).  A bit over half a pound heavier than my Type 11 No. 4.  Not bad – and a far cry from the advertised 5 lbs. of some modern Bedrock copy No. 4’s.

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It lost a couple of grams when I ground the cap iron, in fairness.

So, again, is this I tool I would gift to a beginner woodworker interested in apartment woodworking on a budget?  Yes.  But that “yes” assumes the beginner has basic knowledge of how to prepare and sharpen a plane iron.  I don’t think the rustic cap iron would be much more of a nuisance when shavings got clogged.  And everything else seemed in relatively-good working order (apprentice marks and all).

And setting this tool up would be a hell of a lot less effort than fully restoring a swap meet piece.

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Made with Love

It’s good to have goals.  Not just deadlines, but true motivation for doing something right and well.  In my woodworking life, my greatest motivation tends to come from projects that will become gifts.  In this case, the Japanese tool box for my buddy, Brady.

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I think I’ll leave it unfinished, so it ages naturally.

I am glad to have embarked on this project.  The joinery (rabbets and nails, with a little bit of glue) was a lovely break from my usual dovetail routine.  It would be a good project for someone just starting out in woodworking.  And by careful wood selection, I barely dented my pile of reclaimed mahogany (the entire box used only two 36″ boards, plus some scraps I had lying around).

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The lid is friction fit (both in the case and under the end battens), so no need for locks or wedges.

It had been a while since I “dovetailed” nails.  I don’t know if I hit exactly 7º, but it was close enough.  The bottom should stay put for a very long time under ordinary use.

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There are always a few french marks that don’t steam out.  Glad these are where only the bugs will see them.

There is nothing I would do differently on this project, which is refreshing.  Except, maybe, making the box a little bit shallower.  With 7.75″ of clearance inside (when the lid is in place), this is probably more of a picnic basket than a proper tool box.  I thought about adding a removable till, but that seemed like overkill.  These things are meant to be stuffed.

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Nice and open are always preferable, in my view.

My favorite design detail on this is the recessed ends, which allowed me to add wooden handles (from softer Eastern White Pine, for comfort). Because what’s a portable storage container for if it hurts to hold?

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A little contrast is good.

Conceivably, these recesses could also permit someone to clamp this to a table.  If I made a stouter lid (perhaps replacing the battens with a rabbet around a much thicker slab lid), this might even be sturdy enough to be a little workbench in a pinch.

But I think something dovetailed would be better suited for that.  Oh well.  Back to the bench, I guess.

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Harlequin Baby

Warning: DO NOT image search the namesake of this blog post.

For a while now, I’ve been rehabilitating a Type 15 Stanley No. 5 smooth bottom bench plane. After a couple of hours of work, it’s as pretty as I’m going to make it.

Other than my Veritas scrub plane, there are officially no modern bench planes in my tool chest anymore.  I really like the lighter weight of the antique planes (as compared to their modern counterparts).  If one of the modern makers made new versions of these lighter planes to the precision specs they do for their Bedrock copies, I would be all over it.

Even after scrubbing, there is some of the patina on the sides.

This No. 5 is intended to be a worker and, suffice to say, it’s a bit of a harlequin. The sole and frog are original. As is the cap iron. The blade, however, is salvaged from my Type 17 Stanley No. 4 smoothing plane (which now has a Veritas replacement blade and is my main smoothing plane).

It’s not a pretty grind, but the frog is perfectly flat.  And it’s a bedrock frog!

The lever cap (seen above) is scrounged from another Stanley No. 4 (a Type 10, I think). The lever cap that goes with this Type 15 exists, I just haven’t cleaned it up yet.  It has a chip at one corner so I’m in no rush to expend that much elbow grease.

The knob and tote are replacements as well. I source wooden replacement parts for planes from Greg Droz.  He does a great job and his prices are very reasonable. They both fit first try without any fettling.

Honduran rosewood, which is beautiful enough for a worker.

The sole of the plane is in very good shape and didn’t take long to de-rust or flatten. This is a jack plane so I didn’t obsessed too much. In fact, I only took it to 80 grit (which, admittedly, had worn to probably 120 grit by the end) on the granite slab.  There is a very slight hollow around the mouth that can be seen below. If the spirit ever moves me, I may dress the sole a bit more. Maybe to 220 grit and perfectly square on the shooting side.

I’m pretty sure this plane was well-used before it came to me

But I now have no place in my tool chest for my well-loved WoodRiver bench planes (No. 4No. 4 1/2 and No. 5 1/2).  They have served me well but I’d be happy to part with the No. 4 for $100 and the No. 4 1/2 and No. 5 1/2 for $125 each.  UPDATE:  ALL THREE PLANES SOLD.

If interested, shoot me an email at theapartmentwoodworker@gmail.com and I can send pictures.  They are all in used but otherwise perfect condition.

This is the first of a few sets of extra tools that I plan to sell off.  I am not a tool collector, per se.  But I do have some extra tools, which are pretty much only good for cluttering the shop and procrastinating when it’s time to sharpen.

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Shattered Dreams

I should know better than to get my hopes up.   Reading Ingenious Mechanicks psyched me up to make a minimalist workbench.  Something with a slab top, through tenoned front legs and splayed back legs.  Then I found this lovely chunk of pattern grade 16/4 Honduran Mahogany at my local Downes and Reader lumberyard.

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Pattern grade, indeed.

The slab I found was overall 124″ long, at least 14.5″ wide at every point and a full 4.5″ thick.  It had almost no cupping or bowing along its length, and no through checking.  The ends were even nearly square.  It seemed like the perfect piece of wood for the task, as I could get both the slab top and the legs from the same piece.

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Every bit of this board is usable.

But then I unloaded it from the trailer.  And could lift it by myself.  It turns out that there is more to wood than just its Janka hardness.  Honduran Mahogany exceeds Douglas Fir in hardness (which I confirmed while at the lumber yard), but apparently isn’t that great in the density department.  The bench would have been far too light for any serious planing activities.

At least I got a full refund.  Which I will put toward a Brooklyn Re-Co red oak roubo kit (sans stretchers, though).

My near mistake has made me more cautious.  Before I invest in a slab of soggy, urban red oak, I will laminate a 20″ wide top (as close to 96″ long as I can) from my glut of home center Douglas Fir 4×4’s and figure out the correct angle for the back legs.

And after that is built, I will probably sell my current workbench.

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Basic Projects: Wooden Straight Edge

It’s been a very long time since I did a Basic Project.  But on this snowy day in February, I think it’s a good time to pick them up again.  This time, it’s a wooden straight edge that is a long overdue project for me.  I admit I only got inspired to make this because I saw it on the blog of the By Hand and Eye guys.

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Hanging holes for convenient drying.

This one is pretty straightforward (teehee).  It’s a single piece of wood, approximately 33″ long, 3″ wide and 5/8″ thick.  I used a piece of mahogany with particularly straight grain, but any piece of reasonably stable, straight-grained wood of approximately the same size will do.

There is also a very short tool list:

  • Hand plane, the longer the better
  • Combination square, any size
  • Rip cut saw, preferably panel
  • Pencil and a ruler

Start by planing one side of the board straight and out of twist.  This reference face is very important to the overall project.  Clearly mark it with a face mark and a direction arrow, so you can keep track of it in the future.  Then bring the opposite face reasonably into parallel with that reference face.  Exact precision is not essential on the opposite face, however.

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Flattening a board with a try plane is easy mode.

Then bring one edge into square with the reference face, as straight as you can (but we’ll fix it to be perfectly straight later).  It’s not essential for the ends to be squared.  Just measure up 1″ from the straight edge and then cut an angle on each end.  I used 15°.  You could leave it at that, but remember that wood exchanges moisture with the air through its end grain.  That means the more end grain that’s exposed, the more stable the straightedge will be.  So let’s now taper the whole straightedge along its length.

Measure 2″ up from the reference edge on each end and mark it with a pencil.  Find the center point along the length, measure a few inches out from either side, and draw a line between each of those points and the marks on the end.  Saw down each line and clean up the tapers up with a plane.  It is not essential for these tapers to be perfectly square, but do your best.

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This cut exposes additional end grain.

And that’s it for the main shaping.  Break the arrises all around and bore a couple of hanging holes, about 2″ in from each end and 1″ up from the reference edge.  These hanging holes are more my preference than anything.  They make the straightedge easier to grab.  An alternative would be to use a gouge to cut a couple of fingertip grooves.

So all that’s left to do true the bottom edge.  If you’ve got a known straight edge (like a metal straight edge), just use that.  But if you don’t have a straight edge, you can use a trick that I saw on Lee Valley (which is apparently a Christopher Schwarz article).  Lay the square down and trace the edge, then flip it over and see how well you did.  Any undulations will be apparent.  Plane them down and do your best to keep it square to the reference face.

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Without the hanging holes.

That’s it.  Slap on a coat of boiled linseed oil and you’re ready to go.  A 36″-ish square is pretty easy if you have a No. 5 or No. 7.  But if you only have a block plane or a No. 4, perhaps start with an 18″ square.

In any event, check it now and again to see if it’s gone out of square.

 

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A Tour of the New Tool Chest

My English floor chest is, for all practical purposes, complete.  I must still attach the lifts, paint the lid and add some ring pulls to the sliding trays, but it is now at max tool holding capacity.  I’ve organized the trays and am calling this one good enough.

The bottom tray is sharpening and boring tools, plus a tool roll of gouges and specialty chisels.  In the middle are my every day hammers and tools that do not see every day use (e.g., rasps and planemaker’s floats), as well as my largest chisels.  Up top are every day marking tools, plus a block plane and extra bench dogs.

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I never thought I’d see the day.

Down below, the well is separated into three main areas.  At the front of the chest, a saw till at the front that holds both back saws and hand saws, and a tool rack that holds chisels and other important pointy tools that lend themselves to 1/2″ holes bored on 1 1/2″ center.

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I now have room for the router plane container that Jim gave me.  

In the center, general storage for my bench planes (Nos. 3, 4, 5 1/2 and 7), plus my spokeshave and scrub, chisel, small router and shoulder planes, as well as a panel gauge.  The No. 3 is very much a specialty plane in my tool chest, used solely for delicate smoothing tasks.

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I still think the saw till eats up too room and should be broken up into two different tills.

In the back, a typical moulding plane till for my modest set of hollows and rounds (2-8), two tongue and groove plans, my shop-made fillister plane and some other bits and bobs.  I plan to expand my moulding plane collection through a combination of rehabbing existing planes and making new hollows and rounds (hence the new set of planemaker’s floats).

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I’m probably going to move the calipers up to the trays.

In addition to new moulding planes, one thing my tool chest is definitely missing is a drawknife.  I have vintage versions of both a small and a large drawknife, but I don’t dream of using them until I get a way to sharpen them safely.  In my case, a Benchcrafted Drawsharp.

In the meantime, though, a spokeshave will have to do for rounding parts.

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Surprises at Every Turn

One of the most (if perhaps not the most) treasured tool in my tool chest is my vintage Stanley Bedrock No. 7.  I’ve had it for a bit less than year and I love it more and more every day.  It was a gift from my late godfather, and it is a joy to use.

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No idea if the red paint is original.

I’m generally familiar with the dating criteria for ordinary Stanley planes.  But I hadn’t looked into the history of the Bedrock variants.  Until last night.  Turns out, my No. 7 is a Type 2, built between 1898-1899.  It’s not my oldest tool (that probably goes to the firmer paring chisel I recently restored), but it’s still in great shape for its age.

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One patent here.  One patent on the lateral adjustment lever.

Despite hanging on a basement wall for however many decades (it has a hanging hole), the plane had minimal rust (no pitting) and the sole was still very flat.  It merely required a wipe down with mineral spirits, a replacement iron (Veritas A2 from Lee Valley), a quick re-peening of the lateral adjustment lever, and a few passes on the granite slab with 220 grit sandpaper to be fully functional.

I don’t know how much use it got originally, but it gets used every day I’m in my shop.  If it came down to it, I am 100% certain that it’s the only bench plane I would keep.  They really don’t make ’em like they used to.

And, for the record, I sharpen my No. 7 with a slight camber.

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