General

Sometimes, Careful Planning is Not Enough

Just about three months ago, I wrote an entry on the “dining” table I built to be the foundation of my apartment woodworking shop (post linked: here).  During its construction, I had envisaged the table (which, by the way, was reverse-engineered from a Restoration Hardware design) as a furniture-quality, rock-solid clamping surface with some much-needed storage space on the shelf below.

And it has not disappointed.

And, thus far, it has not disappointed.

I believe I executed pretty well on that concept.  There is no hint of wobble or bench-based chatter when I am hand planing, and I have (just barely) enough storage below for the powered odds and ends I thought I would use when I switched back to apartment-based woodworking (more on that another time).

During the design phase, I did my best to determine the perfect dimensions for what I’d need to do meaningful woodworking, but there was no way to solve for (or even predict) everything. I’m not saying I would necessarily change any of these dimensions, but, for example:

  • The height (at 31″) is just right for planing, with the top of the Milkman’s Workbench sitting at a very comfortable 33″ (I’m a little over 5’10” and all my planes are iron-soled, FYI), but I still need to craft a moxon-style vise to raise the workholding to a comfortable level for joinery.
  • The top is wide enough (at 50″) to accommodate both the Milkman’s Workbench and a shooting board/miter box at the same time, but not nearly wide enough for planing longer, thinner boards (hence the need for a 72″ planing slab (seen above on the right, planed to final dimensions but still lacking dog holes and inset vise)).
  • The top is deep enough (at 34″) to splay out the tools needed for any particular project, but is sadly too deep for the reach of the boom on my LED task light (solved by locating the clamp-on base to the side, which now gets in the way of some cross-grain planing).
  • The overhang of the top in relation to the frame is wide enough (at 4″) for ease of clamping a variety of benchtop accessories on all four sides (e.g., Milkman’s Workbench, miter box, saw vise, task lamp base, soon-to-be planing slab), but anything less than a co-planar top eliminates the usefulness of the legs themselves as a clamping surface.

The point is, no matter how well you plan, no matter how much thought goes into the design or care goes into the execution, it is only a matter of time before the shortcomings and mistakes become apparent.  In making the best of a less-than-ideal situation, any solution to an existing problem could also be the genesis of a new, unforeseen issue.

And that, more than anything, is the essence of small-space woodworking.

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A New Year, Indeed

2104 has been a great year for The Apartment Woodworker, and we’re only getting started.  Thanks much to all of my readers.

Things look to be busy Q1 of 2015, but I can promise there are several great projects and stories coming very soon.  The soonest may very well be the completed planing slab.

Only 2 more laminations to go!

Only 2 more laminations to go!

So stay tuned!  Happy New Year to all!

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Holiday Cheer at The Apartment Woodworker

As the year wraps up, I find myself (as always) being very grateful for my loving and (mostly) supportive family and friends (especially Matty).  They indulge me in my eccentricities and manic woodworking fervor and I am very lucky to have such excellent and admirable people in my life.

Now, I would like to brag about the awesome woodworking gifts I received this Christmas.

From my parents, a 24″ imperial ruler blade for my Starrett combination square.  When not in use with the combination square, I expect it will live on the workbench as my go-to straightedge.  Its first combination square task, though, will probably be in connection with squaring the ends of the planing slab (as soon as I finish a couple more laminations).

A gorgeous piece of steel.

A gorgeous piece of steel.

Speaking of the planing slab, my brother and sister-in-law gave me not only a Veritas inset vise (for which I had asked), but also surprised me with the pivoting jaw and the low profile jaw as well (both of which were actually sitting in my Lee Valley online shopping cart ready for purchase).  Now i just need a Veritas planing stop and to settle on inset vise positioning.

I have a feeling this will quickly become my favorite vise.

I have a feeling this will quickly become my favorite vise.

All in all, a pretty awesome Christmas.  Thanks very much, family.

Happy Holidays to all!  I should probably get back to making the second footstool for my niece and nephew.

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The Trusty, Underappreciated Rub Joint

I own lots of clamps, but an unfortunately low number reside in my apartment woodworking shop. As a result, as often as I can, I turn to the rub joint.

The Rub Joint: for when literally any amount of clamping pressure will do.

It’s a simple joint, really. A thin film of glue is applied to two jointed boards, which are rubbed together back and forth until the glue becomes grabby. The glued-up boards are then left to dry under gravity and atmospheric pressure only. It works well with other types of joints, but edge-jointing smaller tabletops (the above is for a footstool) is where the rub joint really shines.

There are three tricks to ensuring a proper rub joint, though:

First, the jointing must be crisp and square. Gaps in the mating surfaces are the bane of a good rub joint, even when using gap-filling adhesives, such as epoxy.

Two, there is such a thing as too much glue. Use only a thin film of glue, because without true clamping pressure to force squeeze out, the boards will float on a thick film of glue and the edges won’t meet in a strong, straight joint.

Three, leave the glued-up boards to dry on a flat, level surface. You’re using gravity and atmospheric pressure as your clamping force, so a flat, level surface to support the work will ensure the glue joint is perpendicular to gravity and atmospheric pressure as it dries.

A tight, strong joint with no clamps.

A tight, strong joint achieved without clamps.

A well-executed rub joint is just as strong and gap-free as a clamped joint. Once you master the rub joint, you too may find that sometimes, very occasionally, you can have too many clamps.

Or, you know, just can just use pinch dogs.

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A Planing Slab In Process

Ever since the LED light arbor project (linked here), I have been searching for a reliable way to support 5-6 foot boards for face planing on my 4 foot worktable. For thicker stock, the overhang didn’t really matter; the work was rigid enough to support itself. On thinner pieces (less than 6/4 or so), although edge planing was usually fine, flex at the ends while face planing caused me to unknowingly plane humps into the work, no matter how sound my technique.

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Just not enough tabletop real estate for face planing longer, thinner stock.

After much debate (I even consulted Christopher Schwarz on the issue, whom I thank greatly for his quick response and prescient input and whose Lost Art Press I once again plug), I decided to laminate a planing slab (like a Japanese workbench). Made from inexpensive materials, the slab would be rigid and flat and could be clamped to my worktable with angle irons or leaned against the wall when not in use. It would also have a Veritas inset vise and dog holes for Veritas planing stops and holdfasts.

Rough sketch in hand, I went to the home center on a lazy Sunday and dug through the 2x10s for an hour or so (the 2x12s were so saturated they were almost too heavy to move on my own) and found 36 feet of the driest, straightest, clearest Douglas Fir 2x10s available (all from the bottom of the pile, sadly). In the parking lot, I used two lumber carts as saw benches and piled the six 6 foot lengths in the car.

Quite proud of myself for this one.

Quite proud of myself for this one.

Ever since, in my spare hours, I have been hand ripping 3 inch wide lengths, face planing the gluing surfaces and laminating the pieces, one at a time (Paul Sellers’ workbench playlist on YouTube is a great how-to for preparing dimensional softwoods for laminating into a bench top).  The whole lamination should be approximately 18 inches wide (which equates to about thirteen boards) , 72 inches long and 2.75 inches thick when finished. I think, though, that when the slab gets to be about 10 inches wide (seven boards or so), I will flatten the bottom by hand and skip plane it with my thickness planer. That way, I can more easily finish up the second half of the lamination, using the first half as an (albeit smaller) planing slab.

Only four more laminations to go and I'll have half a planing slab!

Only four more laminations to go and I’ll have half a planing slab!

Once I have the space, I will probably re-purpose the planing slab as the bench top for a proper workbench for lighter work (and maybe add a face vise). Until then, though, I am looking forward to having a real planing surface, so I will keep laminating.

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Necessity versus Generosity, or Why I Make Things

A Venn Diagram of my woodworking motivations would consist of two, significantly overlapping circles: necessity and generosity.  It turns out (unsurprisingly) my joy is in the making and I don’t form great attachment to the finished piece.  So unless there is a concrete need on my end, odds are high the final product is going right out the door (usually to someone who has a concrete need on their end) and I will move on to the next project.  Some examples may help.

Necessity:

When I vacated my previous apartment for my leave of absence, I gave away almost all of my furniture, including my living room set (which I had acquired prior to taking up apartment woodworking).  I did this on purpose, so I would have to build myself a coffee table, side table and media console while I was on my leave of absence. They had to be ready for when I moved back down full time to Connecticut because, otherwise, I would have an unfurnished living room, which is no fun at all.

Be it an original design or a reverse-engineering from a high end furniture retailer (I subscribe to all the catalogues), each piece is custom fit to my needs. As soon as my needs change, the piece goes out the door.

Generosity:

I enjoy making footstools.  They’re really just tiny tables (usually for tiny people, like my niece and nephew).  The stock preparation is manageable (the biggest piece is usually 14″ x 11″ or so, at most) and the joinery is straightforward (dovetails and/or mortise/tenon).  As an added bonus, they are meant to be literally stepped on and are usually stored on the floor (probably in the bathroom) for their entire working life, so a stray tool mark or other aesthetic imperfection is (relatively) meaningless.  As a result, footstools make excellent scale test models for design elements in future projects.

I’ve made other pieces as gifts (benches, side tables, storage containers, other things), but footstools continue to be the most popular.

In the end, though, be it necessity or generosity, I don’t think the reasons matter.  Like I said, it is the making I enjoy most, not the having of the thing that I made.

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Shavings Piled Like Snowdrifts

Sawdust, wood shavings, waste wood. Hand tools or not, going from rough-sawn lumber to finished furniture makes a mess.

The main benefit of hand tool woodworking is the significant reduction in breathable particulate matter (i.e., wood dust) in comparison to power tools. Not a total elimination, of course, but with hand tools you don’t need breathing protection just to cut a joint. Ditto for hearing protection (although chopping mortises in hardwood in an apartment sometimes calls for earmuffs and sound dampening technology [more on that in a few months]).

That having been said, whether by scrub plane or power jointer, by tenon saw or table saw, by mortise chisel or plunge router, you’re still removing stock and the waste has to go somewhere. And that somewhere tends to be the floor around the workbench.

In my shop, I never let the shavings pile like snowdrifts (as romantic as the image may be). After each task, the waste is swept and sorted. Chips in the trash, shavings in the drum liner [seen in the background of most pictures], dust in the shop vacuum. Shavings and wood dust are slippery and there are few things worse than extricating embedded splinters from my living room rug because I tracked chips all around the house.

A clean shop is a safe, happy shop. When your shop is also your home, that is doubly true.

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Usually not a fan of Brooklyn…

Just received a pair of Gramercy holdfasts from https://www.toolsforworkingwood.com/store/dept/CGT

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I guess not everything from Brooklyn is terrible hipsters…

Two is probably a bit much for a 30″ workbench, but the price was just so I right for the pair, so I was more than happy to replace the cast iron holdfast on my sawbench.  Shipping was fast and the included issue of The Comely Advertiser was good for some smiles.

Much better

Much better

All in all, I am glad to know I probably never have to buy holdfasts again.

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A Dovetailed Box

Over the last couple weekends (in what little free time there was), I have been making a simple dovetailed storage container for my car.

Not winning any awards, but definitely sturdy enough to hold a pair of aquasocks, a multi-tool, a portable air compressor, an emergency water bottle and some miscellaneous supplies.

Not winning any awards, but definitely sturdy enough to hold a pair of aquasocks, a multi-tool, a portable air compressor, an emergency water bottle and some miscellaneous supplies.

I’ve been meaning to replace with something more permanent the heavy duty cardboard file box I use in my car to maintain organization of odds and ends. Finding myself with some leftover 3/4 birch plywood, I decided it was time to dovetail a box.  I don’t cut dovetails often and I like these little, non-critical projects to keep my skills up.  Mostly, though, this project was good opportunity to test the capabilities of the Milkman’s Workbench in a situation where perfection is non-essential. Spoiler alert: it performed admirably, as advertised.

Just to be clear, I’m not here to teach you how to dovetail.  If you are looking for instructional videos, there are wonderful dovetailing tutorials all over teh interwebs (I highly recommend Paul Sellers or Rob Cosman).

Dimensioning:

I want to say from the get-go that plywood is not ideal for dovetailing (I rarely use the stuff anyway) and dimensioning sheet goods with hand tools is almost more trouble than it’s worth.

I typically rough cut sheet goods with a jigsaw and use a flush trim bit and a straightedge clamp to clean up and square the edges, but I am inside again and plywood dust is gross.  Instead, I rough cut four pieces by hand (2 sides and 2 ends) and planed straight and square with a #4 bench plane one end piece and one side piece to use as patterns.  I then lined up the factory edges and used double-sided tape to attach the pattern piece to the second rough cut piece (show-side to show-side, which will be important later).  Using the affixed pattern piece as a guide, I planed down most of the overhang on the rough piece to approximately 1/32″ (to have as little waste as possible) and cleaned up the final edge all around with a flush trim router bit.

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Less waste to remove means less gross dust to clean up.

The bottom piece, which is 1/4″ plywood from the craft store, floats in housing joints in the assembled box and is just hand ripped reasonably square and straight and fine tuned with a block plane.

Joinery:

There shouldn’t ever be a ton of stress on the glued up joints, so at a little under 12 inches high overall, I went with three tails per corner.  I’m a “tails first” kind of guy and typically I prefer to hog out most of the recess waste with a coping saw (then chisel down to the line), but go with what works for you.

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Layout is simple with a decent dovetail marking guide. I use the Veritas version.

I did not separate the now-identical side pieces prior to sawing the tails.  I had a good reason, however: supporting the show-side to prevent blowout is critical when dovetailing plywood.  By leaving the pieces affixed, the show-side of each piece acts as a backer board for the show-side of the other.  As an added bonus, the tails you saw are (hopefully) identical.   Plus, I find working on the wider stock makes sawing perpendicular easier (on plywood, you should also eyeball perpendicular against the layer lines).  All in all, it saved some time and, again, not a museum piece here.  I note that this trick does not work for cutting pins when you cut the tails first; you will need to separate the pin boards.  It may work if you cut pins first (I think the pins may be asymmetrical, which may be a neat design element), but I haven’t tried it.

Tails first.

Tails first.

A coping saw and a chisel made quick work of the first set of recesses between the tails.  All of a sudden, just after I finished sawing the second set of tails, the double sided tape gave way and I had to finish up the tail boards individually.  I also decided to put down the coping saw and chiseled out the remaining pin recesses (more on that later).  Beware cracking the veneer when chopping out the waste with a chisel.

I then scribed and sawed the pins in the usual way, also using a chisel to cut the tail recesses.

Not bad for plywood

Not bad for plywood and being out of practice.

I routed the 3/8″ deep housing joints for the bottom piece with a 1/4″ up-spiral bit and a fence (dust extraction works much better in this router orientation) and tweaked the fit of the bottom piece with a block plane.

Assembly, Gluing and Finish:

A backer board also comes in handy when seating the joints during final gluing.  I always use a piece of wood to cushion against the mallet blows when seating joints and the support for the tails guards against chipping and blowout if/when the joint is a little on the tight side.  Unlike solid wood, plywood de-laminates and cracks instead of compressing, even when lubricated with glue, so the extra support goes a long way.  There is a chance the box might get wet, so I opted for overkill with Titebond III.

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Mechanical joints mean single-direction clamping pressure.

After the glue had dried, I flushed any protruding pins or tails and trued the base of the box.  Then I softened all corners with a radius plane and plugged any large gaps in the exposed plywood “end grain” with some water-based wood filler.  No finish required.  It’s not pretty, but it’s not meant to be pretty.  Everything then got a quick 220-grit orbital sanding to remove the pencil marks.

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Sitting on my saw bench, “clamping” the work with my feet.

I had the idea of threading some 7/16″ nylon line from the boating supply store to make a rope handle.  I tested a couple different lengths and finally settled on a single strap that I could sling over my shoulder (as opposed to individual handles on the ends).  I hope I don’t regret the shortcut.

Conclusions:

I’m pretty satisfied with the box; it is solid and it holds stuff.  Truth be told, it’s been done for about a week.  I am just staggering posts.

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There are gaps. It happens. I’m not looking for a critique of my dovetailing.

Next time I dovetail plywood (I still owe my father some marine plywood drawers for his Frers 33), I am definitely skipping the coping saw. It works fine for solid wood, but is tough to control in plywood (with the multi-directional grain of the layers and all) and the veneer can tear easily.  Not to mention the awful screeching sound.

The Milkman’s Workbench worked quite well for this project.  Early on, it became clear the grip of the front vise screws wasn’t great until turned so tightly they mar the work, so I added leather pads to the ends of the front screws.  This improved holding power at much softer clamping pressures and work slippage nearly disappeared (although with increased grip, the work rotates a bit when the screw is engaged).  Front vise flex decreased dramatically as a by-product of lower clamping pressures as well, and I recommend anyone using a Milkman’s workbench take the time for this easy upgrade.  After a few more months of use, I will do a full retrospective on the bench’s total functionality.

Much gripper.

Much gripper.

As I was working, though, I started fantasizing about making a significantly larger version of the Milkman’s workbench.  Something with at at least 36″ of maximum clearance between the widest dog and the wagon vise and not less than 30″ of front vise inside clearance.  This would mean 40″ plus of total workbench (and probably a third screw in the front vise); my workshop table is slightly over 50″ long and should easily handle a clamp-on bench of this size. I would probably make the main bench deeper too (for a larger chopping surface) and maybe abandon current front vise configuration for something more like a moxon vise…

Several hours with pencil and graph paper later, it became abundantly apparent that what I really need is not a larger Milkman’s Workbench, but rather a planing slab (like a Japanese workbench, maybe with some dog holes and a Veritas inset vise). Something around 18″ x 60″, made of laminated pine framing timbers.  I guess I know what my next project will be after I finish those footstools for my brother’s new house.

Also, I can’t say it enough: plywood dust is gross.

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Because sometimes what we really mean is “unplugged”

Hand tool woodworking is great.  It’s relatively quiet, can be done with minimal shop space, and the results are often better than anything produced solely or mostly by machine.  I consider myself a hand tool woodworker, although I admit sometimes I reach for a plunge router, cordless drill or an orbital sander.  I also own, and frequently use, a thickness planer to surface the remaining two faces of a board that I’ve hand straightened and squared.

Net net, if I’m deviating from my basic set of saws, chisels and planes, there are meaningful efficiencies at work.

That having been said, I have a new addition to the shop. The Nobex Champion 180 miter box, with Ikeda blade.

Perpetually on backorder at  www.leevalley.com for a reason.

Perpetually on back-order at http://www.leevalley.com for a reason.

I know it’s technically not a power tool, but it is also not an essential tool for hand tool woodworking.  I can mark a knifewall and saw/shoot down to the line. I get it.

I wanted the convenience and the speed of a precision miter box.  Accurate saw cuts mean less time at the shooting board, so I can get back to the fun part, cutting joints.  Plus, I miss my 14″ double bevel compound miter saw and this should be a pretty solid replacement.

I have only cut a few pieces of wood so far, but I have some initial reactions.  First, the unit was much easier to assemble than expected (although there were a few extra pieces [two random hex nuts], which is distressing).  Second, the unit feels sturdy and the Ikeda blade is super sharp (already cut myself).  Third, the blade should definitely be lubricated prior to use.

My brother and sister-in-law requested that I make some footstools for their new house (they left the last footstool, which matched a vanity sink I also made, at their old house), so I will have an opportunity to further the miter box.  I have also been thinking about making some picture frames; not out of necessity, but as practice for cutting mitered halflap joints by hand (which is a favorite design element in exposed joinery).

Edit: After a couple days of use, I am very happy with the saw. I still have to shoot the ends of each board (the blade is ever so slightly canted to the left, which is probably user error), but it is always a slight cleanup, not a major straightening.

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